From the foregoing considerations it will appear that there were two constituent streams of culture and also of men here uniting in the valley of the Po and on the northern slopes of the Apennines. Possibly, as Chantre affirms, these two streams were from a common Oriental source, here being reunited after long and independent migrations. At all events, a remarkable advance in culture speedily ensued, superior to either of those from which its elements were derived. For the civilization unearthed at Villanova, in the Certosa at Bologna, at Este, and elsewhere, while in much of its bronze work similar to the Hallstatt types, contained a number of added features, obviously either indigenous or brought directly from the south. The Hallstatt affinities are especially revealed in the situlæ to which we have already called attention. That of Arnoaldi, discovered at Bologna, betrays much the same grade of skill in manufacture as the one from Watsch. Its flat development is shown by the accompanying cut. The scenes represented are not dissimilar. The boxers armed with the cestus, the chariots, and horses closely resemble one another. No doubt of a close intercourse between the two regions of Bologna and Austria can possibly exist.

Arnoaldi Situla, Bologna.
(From Revue Archéologique, 1885, vol. ii, Plate XXV.)
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The influence of the second or native element in prehistoric Italian civilization appears most clearly in the Etruscan period. Etruria, lying south of the Apennines, was more essentially Italian, as we might expect, than the region about Bologna, where the Umbro-Hallstatt or continental culture flourished. It is easy to note the superiority in the former case. It is most clearly indicated in the pottery. Here we find an art which is truly indigenous to the climate and soil of the Mediterranean.

Popularly, the word "Etruscan" at once suggests the ceramic art; the progress effected in a short time was certainly startling. To give an idea of the sudden change, we have reproduced upon page 30 illustrations of typical bits of Italian pottery.[12] The first vase, prior to the full Etruscan culture, shows its crudity at once, both in its defects of form and the plainness and simplicity of its ornamentation. Such a vessel might have been made in Mexico or even by our own Pueblo Indians. In a century or two some teacher made it possible to produce the sample depicted in the next cut. Perfect in form, superb in grace of outline, its decoration is most effective; yet it betrays greater skill in geometrical design than in the representation of animate life. The dog drawn on the girdle is still far from lifelike. Then come—probably after inspiration from Greek art—the possibilities in complex ornamentation represented by our third specimen. Not more pleasing in form, perhaps less truly artistic because of its ornateness, it manifests much skill in the delineation of human and animal forms. The culture culminates at this point. From profusion of ornament and overloaded decoration, degeneracy begins. It is the old story of the life and decay of schools of art, time in and time out, the world over.

Early Etruscan.Later Etruscan.Greek Etruscan.
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The advance in culture typified by our vases was equaled in all the details of life. The people built strongly walled cities; they constructed roads and bridges; their architecture, true predecessor of the Roman, was unique and highly evolved. All the plain and good things of life were known to these people, and their civilization was rich in its luxury, its culture and art as well. In costumes, jewelry, the paraphernalia of war, in painting and statuary they were alike distinguished. Their mythology was very complex, much of the Roman being derived from it. Most of our knowledge of them is derived from the rich discoveries in their chambered tombs, scattered all over Italy from Rome to Bologna. There can be no doubt of a very high type of civilization attained long before the Christian era. Roman history is merged in the obscurity of time, five or six hundred years later than this. The high antiquity of the Etruscan is therefore beyond question. But its highly evolved art and culture show that we have no longer to do with European origins; to discuss it further would lead us to trench upon the field of classical rather than prehistoric archæology.

V. The northwestern corner of Europe, including Scandinavia, Denmark, and the Baltic plain of Germany, throughout the prehistoric period has been characterized by backwardness of culture as compared with the rest of Europe. It was populated from the south, deriving a large part of such primitive civilization as it possessed from the south and the southeast as well.