Your authors are among the leading lights in Science Fiction; yet, strangely, the days when they submit their offerings to Astounding Stories seem to be "off days." Not one of them has given us a story to equal his best for the other magazines. For instance, Ray Cummings has yet to write a story for you as entertaining as "The Girl in the Golden Atom" or his others. Speaking of Cummings, I wish he would take a course in grammar. His grammatical atrocities—such as sentences without predicates—are eye-wracking.
The main purpose of this letter, however, is to offer a fervent plea for reprints. I am unalterably opposed to your short-sighted policy in regard to the reprinting of old Science Fiction tales long out of print. You made an utterly asinine statement when you declared that 99 per cent of your readers have already read these classics. [We did not say that. We said: "Would it be fair to 99 per cent of our Readers to force on them reprint novels they have already read, or had a chance to read?"—Ed.] I am willing to wager that the percentage is nearer 10 per cent. For instance, can a baby read magazines? You seem to grant them this strange ability.
Most of the stories that should be reprinted were published from eight to fifteen years ago, in one other magazine. That automatically excludes all those who have not been constant Readers of that one magazine. In the second place, the average Reader of your magazine is under twenty-one (I am eighteen myself). When the science classics were published, we were anywhere from four to ten years of age. In the third place, relatively few of these stories were published in book form, and these few have for years been out of print. Try to buy "The Moon Pool," the greatest Science Fiction story ever written, in book form. In the fourth place, even those who were old enough to understand them did not become interested in Science Fiction until several years ago. In the fifth place, the few who have read them—and they are very few—would welcome the chance to re-read them. In the sixth place, and this is the most important reason of all, not one of the stories you have published is worth re-reading, or is even a sixteenth as good as some of the old stories.
Take a sporting offer. If you don't, I won't think much of you. Publish just one of the Science Fiction classics, preferably A. Merritt's "Through the Dragon Class," which so many of your Readers have clamored for and see how gratifying is its reception. If it does receive their acclaim, you could reprint one story in each issue.—J. Vernon Shea, Jr., 1140 N. Negley Avenue, Pittsburgh, Pa.
"Right Formula"
Dear Editor:
I have been a satisfied and silent reader of your magazine, and while I'm still satisfied, I wish to break my silence.
A letter by C.E. Bush, of Decatur, Ark., in the January issue has caught my attention. Miss Bush apparently does not care whether the stories contain science or not. I believe she wants the author to leave out the scientific explanations of the various machines and forces used in the story. To me, an "improbable" story is much more interesting if the author succeeds in making it seem perfectly plausible. The author needs to give technical explanations now and then to do this; and a good author can weave these facts into the fiction in such a manner that they are not dry.
For some reason, the letter by M. Clifford Johnston, of Newark, N. J., antagonizes me. I am willing to admit that there are—or were—one or two stories that showed a definite lack of scientific explanation in certain parts, yet I do not believe that all the issues can be condemned because of these few stories. Mr. Johnston is apparently the opposite of Miss Bush. He, from the "sound" of his letter, revels in scientific explanations. On the whole I've enjoyed practically every story, and am thankful to you for your magazine. I believe that most of the authors have found the right formula for mixing their explanations with the story so that such technical discussions are complete without being dry.
I enjoy the novelettes more than either the short stories or the serials. The serials are all right, but a month is too long to let the hero or heroine suffer. Imagine how WE suffer, too, from the suspense!