Nothing.
With a stifled oath he turned his attention to the other rooms in the immediate vicinity. The brilliant light revealed not the slightest trace of a person, living or dead. The sound must have come from the second story or from the cellar. He decided on the upper floor.
Feverish with impatience because of the valuable time he had already lost, he bounded up the heavily carpeted stairs two at a time. Now to his keen ears came certain faint sounds which told him that he was on the right track. Before him extended a long, dusty hall, terminating in a single heavy door. Several other doors opened at intervals along the corridor. One or two of these were open, and he threw the beam from his flash hastily into one after another of them. He saw only dusty and mildewed chamber furnishings of an ancient massive style.
Suddenly he pricked up his ears.
The door ahead of him was creaking slowly open. Instantly he extinguished his torch and leaped into the nearest room. Whoever was opening that end door was carrying a lamp. What if the Professor had accomplices who might discover him and overpower him by force of numbers! O’Hara drew the automatic from his pocket, deriving a comforting assurance from the feel of the cold steel. Here was something no man could resist could he but get it into action. The light was now nearly abreast of his door, and for a sickening instant he thought the prowler was coming into the room. He held his breath. Now the lamp was at the open door, and now it was quickly withdrawn. After a breathless second he tip-toed forward and peered cautiously down the hallway.
About here it was that James O’Hara 364 began to realize that this was going to be a horrible night indeed. He had wondered why the progress of the light had been so deathly slow. Now he knew why, by reason of what he saw––and what he saw made him feel rather sick. The man with the lantern was quite plainly Professor Kell, bent nearly double with the weight of a grotesquely big thing on his back, a thing that flung a dim, contorted shadow on the ceiling. And that thing was a dead man.
A corpse it was––the attitude proved that. With a numb relief O’Hara realized it was not the body of Skip Handlon. This had been a much larger man than Skip, and the clothing was different from anything Handlon had worn.
The light was now disappearing down the stairway. For a moment O’Hara felt undecided as to his next move. Should he follow Kell and his burden, or should he not take advantage of this fine opportunity to continue his search of the upper story? That scream still rang in his ears; there had been a very evident feminine quality in it, and the remembrance of that fact reproached him. Had he been guilty of mincing daintily about in this old house while a woman was being done to death under his nose, when a little bolder action on his part might have saved her?
Stepping once more into the hall he advanced to the door just closed behind the Professor and tried it, only to find it locked. Out of a pocket came several articles best known to the “profession”––a piece of stiff wire, a skeleton key and other paraphernalia calculated to reduce the obstinate mechanism to submission. For a minute, two, three, he worked at the ancient lock; then, without a creak, the door swung open. A touch of oil to the hinges had insured their silence. Jimmie O’Hara believed in being artistic in his work, especially when it came to fine points, and he was.