In the current issue, "Murder Madness" and "The Power and the Glory" stand out as mile-posts in the history of Science Fiction. The rest are not far behind, though, as a matter of fact, "Beyond the Heaviside Layer" and "Earth, the Marauder" have more discernible flaws than the rest. Just for example, a layer of organic matter would raise Cain with astronomy, due to refraction. Air is bad enough. But the writing overwhelms the error. You have certainly assembled a group of excellent authors, new and old, and I am glad to see the promise of R. F. Starzl in the next issue. His "Madness of the Dust" is one of the most naturally written interplanetary stories I have read—logical and clear, just as it would happen to anybody.
And now for the big question—that of reprints. You seem to have already decided the answer, and have defended your action well, but I wonder if it is well enough. By far your best argument is your last—"authors must eat"—with which I have no quarrel at all. Still, one classic serial a year, or at most two, might not prove too harmful. Following back, I reach a statement concerning "The Saturday Evening Post." In the past it has published hundreds of the world's best stories, and never reprinted. True. But why? Because these stories are all available in book form, in libraries and book stores, in original or new editions or in the Grosset and Dunlap list of perpetually printed best sellers. It is possible to read them for years after publication. But try to find the past masterpieces of Science Fiction. With the exception of Burroughs' books, most were never printed in book form. Even books by Wells and Verne, classics of their kind are gone, totally gone, even from the shelves of libraries. Many of Verne's best stories were never translated from the French. And the other classics of which readers write, classics familiar to most of us only by name and a few lucky tastes of others, newer works by the same authors, are absolutely gone—annihilated. Their best works are beyond the reach of the reader. Only by republication, in magazine or book, can they be revived in an age when they will be remembered and preserved—an age awake to science and Science Fiction. Other magazines are doing it, one or two to the year, and it may be that you need not reprint; but the reservoir of the past is large, and a few cannot drain it. This leads to your first argument, that better stories are being written to-day. They are—better than the average of the past—but not better than the classics. It would be folly to say that because the short story is a modern development, and because Galsworthy or Walpole or Reimarch are better than the average of yesterday, to our present tastes, that the classics of the past should be scrapped.
The analogy, I feel, is good. The classics of general literature have their place in history. The classics of Science Fiction should have theirs. There are dozens better than the general run of present work, by A. Merritt, Homer Eon Flint, George Allan England, Austin Hall, John Taine, Garret P. Serviss, Ralph Milne Farley, Ray Cummings, and others that stood out in an age when Science Fiction was considered pure phantasy or imaginative "trash." In the present age, they would be still better, and this time they would not be lost to the world, for there are publishers and readers who would preserve them. You may adhere to your decision, but, to my mind, and, I think to far more than 1% of other minds, reprints of classics are essential, actually vitally necessary. Try to find out what a ballot would show. Again, from the author's point of view. Up to now, Burroughs has had all the breaks as to book publication. Now Ray Cummings and others are being published. "An author must eat." Give him a chance, by reviving his best efforts, and bringing them to public attention, so that a publisher will find them worthy of publication. Most of the masters of Science Fiction are alive—give them a chance to eat. Too, a great many of the best modern authors are modern readers: ask them if they would be willing to see one of the best stories of the past re-issued each year, stories unpublished in existing magazines for ten years or more. I certainly hope you will alter your decision.
And now to reverse some other decisions of readers. The size is quite all right and very handy for binding purposes, Mr. Mack to the contrary. Incidentally, the staples are so placed as to make binding simple. Also contrary to Mr. Darrow, I prefer the artist Gould, to Wesso, for interior illustrations, though Wesso is best for mechanical illustrations. Incidentally, give us the name of the artist for each story, especially when the illustrations are unsigned, as in the April issue. Wesso's best cover for you has been that for April, illustrating "Monsters of Moyen." It shows his best style very well.
As to my favorite type of Science Fiction, any kind, if well written, will do. As it happens, the king of authors, A. Merritt, has a type all his own, as Mr. Bryant notes, which is unbeatable, and my favorite. However, at times, a good writer may fall down in his fundamental assumptions. I don't care where or how far he goes, so long as he starts with something that present-day science does not deny. Here is where "The Soul Master" fell down, and, even more so, "The Soul Snatcher." Better leave souls and astrals and egos alone, except in very, very rare cases, when an author turns up who can make you believe in them as mechanical entities.
As a Science Fiction fan, a student of chemistry, and a hopeful author, I will probably write to "The Readers' Corner" as often as I want to blow off steam regarding science or fiction or the way in which you are running the magazine. I hope I won't be considered an utter nuisance, and will be given a trial by jury—a jury of readers.—P. Schuyler Miller, 302 So. Ten Broeck St., Scotia, New York.
"Handy to Hold"
Dear Editor:
I wish to say that I have the seven numbers of Astounding Stories that have been issued thus far and I have read them through ever word. It is wonderful, and there is no word of fault to be uttered concerning any of them. I think "Murder Madness" is the best story you have printed so far, but they are all good in different ways.
You received some letters that surprise me. How anyone can ask you to change the make-up to the blanket sheet form is more than I can see. It is so handy to hold and to read as it is now. I do hope you will not change it.