Most close observers, however, will have noticed that the real good sportswoman is a success in almost every relation of life, for she brings to bear upon the situation both courage, pluck and endurance, learnt amongst a host of other useful and valuable qualities in that best of all schools, “The Hunting Field.”
M. V. Wynter and
C. M. Creswell.
Some Theories on Acquiring a Seat.
He is a bold man, indeed, who presumes to write on the art of horsemanship. The very attempt is, as it were, a challenge to a host of critics—some competent, many otherwise, but all blessed with a keen eye to detect the incompetencies of the writer. And though the latter, in warming to his subject, may write with an air of final authority on what he thinks are incontravenable truths, still he is always open to a very different conviction, if only these said critics can contradict him to his own satisfaction. But in the art of horsemanship there is always one great drawback, that only those can thoroughly understand a comprehensive treatise thereon who are, and save the expression, expert themselves. For this reason the writer confines himself to one or two aspects of the art, only at the same time he must confess that if what follows is understood and successfully practised—well, then, the foundations are laid, the walls are built, and the sod before long tumbles naturally into its place.
Now riding is essentially a sleight of hand, and though we may all be clowns to a limited extent, yet no one has achieved the status of a perfect clown without hard work. And so the suggestion is thrown out here that no one ever became a perfect horseman without assiduous practice. On the other hand, no one has achieved the status of a perfect clown—or shall we say acrobat—who is not naturally endowed with certain india-rubber characteristics. And here, again, no one ever became a perfect horseman who was not naturally the possessor of an active and elastic, though not necessarily india-rubber, body. From this we may infer that practise can make a good rider, but that natural bodily activity as well is essential to the making of a first-class rider. It is a misfortune that there is no tyro more jealous of instruction than the tyro in horsemanship.
I have seen so many young riders, and it is they alone who concern me, who have really had latent possibilities, but who, from an original faulty position in the saddle, and, alas, a deaf ear, have not made the progress they should. Still, if they do not listen to the counsels of wisdom, and yet aspire to go straight, they will find sitting astride on their saddle that hard-bitten dame, Experience. She rides with us all. She likes hunting—is seen to play polo, and is known to go racing. Those, therefore, who like to find out all for themselves, can listen indefinitely to this good lady, and so take it first hand.
And now to get to the point, I would say to every tyro, watch carefully all good riders and compare them with yourself, and remember that in your present state of inefficiency you cannot judge for yourself. You must take them on trust.
And here let us marshal what might well be axioms of a textbook on horsemanship, namely:—