"Exactly! But still my wife!"
"Not in the sight of man."
"Then the sooner we are made one again, the better!" he went on impetuously. "See, you wear your own betrothal-ring. Can you, will you submit to the absurdity of a second marriage ceremony, for the sake of the blind world's opinion?"
"I can and will," she answered.
"Then let there be no delay!"
He reached up, and, bending low, she kissed him upon the lips; and she did it so frankly, trustingly, that henceforth he banished every doubt, every vestige of uncertainty to that vague realm whither much of his outraged common-sense had fled.
Late that night a wailing cry startled the quiet of the house—a cry low, but sufficient in carrying-power to rouse Mrs. Effingham from the depths of her first sleep. Hurrying, breathless with apprehension, through the dressing-room which separated her chamber from Romaine's, speechless was her amazement and alarm to find the girl standing before her mirror, the candelabra ablaze on either side, robed from head to foot in white, the splendid masses of her hair sweeping about her shoulders. Upon her exquisite neck and arms scintillated rivulets of diamonds, heir-looms of the Effingham family, which descended to each daughter of the house upon her eighteenth birthday; while in her hand, held at arm's length, glittered an object which had the sheen of blent gold and jewels—a tiny object that fitted softly into the snowy palm. Upon this object were her eyes riveted, with a sort of wild dismay in their inspection. She seemed entranced, and for a minute the watcher dared give no sign of her intrusion.
CHAPTER X.
"Wilt thou pluck my fair son from mine age,
And rob me of a happy mother's name?"
The events which led up to the somewhat dramatic climax in Romaine's chamber at midnight would scarcely seem to warrant so pronounced a crisis. An agreeable evening had been passed in the music-room, Morton and Hubert smoking, Mrs. Effingham busied with some bit of fancy-work, while Romaine played the piano or sang, as her mood suggested. She was an ardent musician, possessed of a fine mezzo-soprano voice, which had been trained in the best schools. Her fancy was for the fantasticism of the more modern composers; and upon this occasion, being in the vein, she sang, with remarkable effect, the weird night-song of the slave in Goldmark's "Queen of Sheba," the dreamy Berceuse from "Lakme" and two or three of Meyer Helmund's idyllic creations. The vibrant tenderness and surpassing melody of her voice filled her hearers with wonder. Never had she sung with such depth of feeling; and they marvelled at it, regarding the performance as a revelation. Naturally, as the evening wore on, a reaction set in, a pallid exhaustion took the place of the heightened color of cheek and lip, and finally Romaine rose from the piano unnerved and hysterical. The party promptly broke up, and Mrs. Effingham led the way to her daughter's chamber.