"But, my deah boy, with such a wife it's—it's—it's—"
"Yes, it's all that and a good deal more," I growled, gloomily. "Don't add to my misery with your ill-timed reproaches. Richard, a back number of my unsavory career has turned up to deprive me of my appetite and blight my being. You remember Bella Bracebridge, of the nimble toes, at whose shrine I worshipped so long and so idiotically? Well, I received a letter from her only yesterday."
"No!"—incredulously.
"Yes."
"What!—little Bella who used to caper around in such airy garments at the Alhambra?"
"The very same. I only wish I could be mistaken," with a despairing groan. "It seems she married money and retired from the stage. By some means she disposed of her husband, and is now a rich and probably good-looking widow. She has purchased an estate within half a mile of here, and is going in heavy for style. She wants to make me the stepping-stone to social success; she sighs for the purple penetralia of the plutocracy. See what a predicament I am in! To introduce her in this house would plant the most unjust suspicions in Ethel's Vassarian mind, while her mother, Mrs. McGoozle, might institute awkward inquiries into the dear, dead past"—with a shiver of anticipation. "Now, my dear Vandeleur, that woman means mischief. She has got about a hundred of my letters breathing the most devoted love: if dear Ethel got a glimpse of a line she would go into hysterics. Bella has hinted, even politely threatened, that unless I show her some attention, which means introducing her to my wife's circle of friends, she will publish those letters to the world or send them to the dramatic papers. Now you must help me out of this scrape."
"Delighted to be of any service, I'm sure," tapping his boots impatiently with a jaunty little cane. "But, really, you know, I don't see—"
"Why, it's easy enough. Don't you remember we were once the pride of the school because we robbed watermelon patches so skilfully? What a narrow shave that was in the apple orchard the night before commencement, when you—"
"Yes, yes, I remember, deah boy; but what have those childish pranks got to do with the present case? We don't want to rob an apple orchard"—by way of mild protest.
"It is another kind of fruit that we are after—the fruit of youthful follies. Here," opening a cupboard and throwing out two pairs of overalls somewhat the worse for paint, two jumpers ditto, and several muddy overshoes, "Vandeleur, if you love me put these things on."