Mais l'audace est commune, et le bon sens est rare; Au lieu d'être piquant, souvent on est bizarre:
which, being freely translated, means,
In life there's so much impudence, And very little common sense, That writers trying to be witty, Are only foolish: more's the pity!
"The Showman,"—for so was this eminent individual designated by the world at large, and so upon memorable occasions he called himself;—was, it will be felt, a title of high distinction. When we look around us, and see how many men are playing showmen, and how miserably they succeed, we shall at once be convinced that nothing but very superior merit could have won for Richardson the glory of the definite "the." He was not showing off himself, but others: he was nor showing off his own follies, but the follies of society. Thus, instead of being a laughing-stock, he laughed in his own sleeve; and by keeping a fool, instead of making a fool of himself, he eschewed poverty, and ultimately died in the odour and sanctity of wealth.
Richardson originated at Great Marlow, in the county of Bucks; the very name of the place seeming to intimate that he was born to achieve greatness. Whether he was lineally descended from the author of Clarissa Harlowe is, and will long continue to be, a disputed fact. There was a family resemblance between them; both were country gentlemen, and both wore top-boots.
For breeding, Mr. Richardson was indebted to the parish workhouse,—fair promise of his future industry. In those days the poor laws had not been amended; and children, being victualled satisfactorily, generally throve accordingly. Under correction be it spoken, workhouses in country towns were then far from being houses of correction. So our hero grew up.
When big enough, he acquitted himself with reputation in the employment of out o' door activity; for he never resembled the lazy fellow reduced by idleness to want, who said in excuse, "When they bid me go to the ant to learn wisdom, I am almost always going to my uncle's."
From Marlow, after due probation, young Richardson, it is stated, sought his fortune in the metropolis, and entered into the service of Mr. Rhodes, a huge cow-keeper—a colossus in the milky way. Here it is probable he acquired a taste for pastorals, and that extraordinary proficiency in the Welsh language which rendered his dialogue in after-times so strikingly rich and Celto-Doric. Some etymologists thence infer that it was Pick't; but we don't believe it.
We never read the life of an actor or actress without being told, about the period of Richardson's career at which we have now arrived, that the "ruling passion" took such strong possession of them, that they must break all bounds, run away, and join some strolling company, to "imp their wings," or some flight of that sort. So it happened with our hero: he cut the cows, and hastened to adhere to Mrs. Penley, then performing with unprecedented success in a club-room at Shadwell, a small town in the vicinity of Wapping. The houses were crowded; receipts to the full amount of five shillings nightly crowned their efforts, and the corps, consisting of two gentlemen and two ladies, divided the five among four, playing as it were all fours in a fives court. Encouraged by this success, Richardson resolved to extend his fame, and accordingly visited many parts of the provinces, starring it from the Shadwell boards. Mighty as must have been his deserts, he met with no Bath manager, no Tate Wilkinson, no Macready or Kemble, to appreciate his histrionic talents. One night, having accidentally witnessed a representation of the School for Scandal, he fancied he could play the little broker; so he returned to London, and took a small shop in that line of business. About the year ninety-six, he was enabled to rent the Harlequin, a public-house near the stage-door of old Drury, and much frequented by dramatic wights. It was of one of these that Richardson used to tell his most elaborate pun. Being asked if he did anything in the dramatic line, he answered, "I do more or less in it in every way: I do what I can in the first syllable, dram, and in the first two syllables, drama; in the last two syllables, attic, I am to be seen every night; and in the last, tick—m' eye! I wish you knew my exertions."
It was not to be expected that the Harlequin could last long without a change; for not only was the sign contrariwise thereto, but the place itself was a change-house. Our landlord therefore let it; and crying "Damned be he that lets me!" bought a caravan, engaged a company from among his customers, and opened his first booth at Bartholomew Fair. But the name of this famed annual assemblage—now, alas! in a deep decline—is enough to tempt a scribbler for hire to branch off into an episode. And here it is.