Bentley's Miscellany, Volume I

by Various

Then at Smithfield Bars, betwixt the ground and the stars, There's a place they call Shoemaker's-Row, Where that you may buy shoes every day, Or go barefoot all the year, I tro.

In 1715 the largest booth ever erected was in the centre of Smithfield, "for the King's Players;" and, in later times, we read of Garrick going to see the pieces at Yates' and Shuter's booth. Hogarth in his youth painted scenes for a famous woman who kept a droll in the fair; and the old lady refused to pay because Dutch metal was used instead of real gilding with leaf-gold. Pidcock and Polito exhibited their finest animals; Astley his troop of horse, succeeded by Saunders. Puppet-shows, or motions, as they were called, were also always popular here; and giants, dwarfs, and whatever was singular in nature, or could be made to seem so by art, have from time immemorial been the wonders and favourites of Bartholomew Fair.

Having now brought "the Showman" to the management of what he might have designated the National Theatre, with the long-established Jonases, Penleys, Jobsons, et hoc genus omne as his rivals,—the commencement of a career of half a century's duration,—may we not pause to point towards him the finger of admiration? What are the lessees of Drury Lane or Covent Garden when compared to him? What have they done, or what are they likely to do, for the legitimate drama, when compared to him? He was a manager who paid his performers weekly on the nail; meaning by "the nail" the drum-head. On the Saturday evening, assembling them all, willing and buoyant, around him, he spread the sum total of their salaries upon the drum,—not double base, like the frauds of modern managers,—and then there was a roll-call of the most agreeable description. Sometimes the merry vagabonds would shove one another up against their paymaster; but the worst of his resentment was to detect the larker, if he could, and pay him last; or, if sorely annoyed, forget to invite him to the following supper: punishments severe, it must be acknowledged; but still the sufferers had their money to comfort themselves withal, and were not obliged to wait, like the waits in the streets at midnight, till after Christmas for the chance of their hard-earned wages. And he was grateful, too. When marked success attended any performer or performance, a marked requital was sure to follow. The Spotted Boy was a fortune to him, though not all so black as Jim Crow; and his affection grew with his growth. His portrait adorned the Tusculum of the Showman; and, after his death, he could not withdraw the green silk curtain from it without shedding tears. Had that boy lived to be a man, there is no doubt but Richardson would have made him independent of all the dark specks on life's horizon. As it was, he was treated as by a father like a spotless boy, and buried in the catacombs of the race of Richardson.

Next to the Spotted Boy, the performer whom Richardson most boasted of having belonged to his company was Edmund Kean. He, with Mrs. Carey, quasi mamma, and Henry, quasi brother, were engaged by our spirited manager; and Kean, over his cups, used to brag of having, by tumbling in front of the booth, tumbled hundreds of bumpkins in to the spectacles within. He did Tom Thumb as tiny Booth does now at the St. James's Theatre; and at a later period, viz. 1806, is stated to have played Norval, and Motley in the Castle Spectre, for him at Battersea fair. Another story adds, that he was called on to recite his Tom-Thumbery before George the Third at Windsor; but we will not vouch for the truth of the newspaper anecdote.

From the metropolitan glory of Bartholomew Fair, the transition to the principal fairs of the kingdom was obvious. Mr. Richardson went the whole hog, and, in so doing, had nearly gone to the dogs. At that revolutionary period, neither the fairs nor the affairs of the country were in a wholesome condition. Politics are ever adverse to amusements. Vain was the attempt to beguile the snobbery of their pence; and our poor caravan, like one in the deserts of the Stony Araby, toiled on their weary march with full hearts and empty stomachs. At length it is told, at Cambridge Fair,—well might it be called by its less euphonous name of Stirbitch, so badly did the speculation pay,—that Richardson and his clown, Tom Jefferies, of facetious memory, were compelled to take a sort of French leave for London, leaving much of their materiel in pawn. Undamped by adversity, they took a fiddler with them; and the merry trio so enamoured the dwellers and wayfarers upon the road, that they not only extracted plentiful supplies for themselves, but were enabled to provide sufficiently for the bodily wants of the main body of the company, who followed at a judicious and respectable distance.

The pressure from without was, however, luckily but of temporary endurance; and Richardson was soon well to do again in the world. Fair succeeded fair, and he succeeded with all. His enterprise was great, and his gains commensurate. He rose by degrees, and at length became the most renowned of dramatic caterers for those classes who are prone to enjoy the unadulterated drama. Why, his mere outside by-play was worth fifty times more than the inside of large houses, to witness such trash as has lately usurped the stage, and pushed Tragedy from her throne, and Comedy from her stool. Of these memorabilia we can call to mind only a few instances; but they speak volumes for the powers of entertaining possessed by our hero.

It was at Peckham one day,—and a day of rain and mud,—when Richardson, stepping from the steps of his booth, as Moncey, the king of the beggars, was shovelling past on his boards, happened to slip and fall. We shall not readily forget the good-humour with which he looked, not up, but level, upon his companion, and sweetly said, "'Faith! friend, it seems that neither you nor I can keep our feet."

At Brook Green, as the fair and happy were crushing up to the pay-door, a pretty servant-girl was among the number. "I should like to hire that girl," said a dandy to his comrade. "I rather guess you would like to lower her," whispered Mr. R. in his ear. But she was a good lass, and not at all like the French gentleman's maid, to whom her master uttered these humiliating words: "Bah! you arre a verry bad girl, and I shall make you no better."

Mr. R. misliked drunkenness in his troop. "A fellow," he exclaimed to one he was rating for this vice,—"a fellow who gets tipsy every night will never be a rising man in any profession."

In a remote village some accident had destroyed a grotto necessary to the representation of the piece entitled "The Nymphs of the Grotto." What was to be done? There was no machinist within a hundred miles! "Is there not an undertaker?" exclaimed Mr. R.: "he could surely execute a little shell-work!"