Strange tricks—very strange tricks—are also performed by the harlequin who holds for the time being, the magic wand which we have just mentioned. The mere waving it before a man's eyes will dispossess his brain of all the notions previously stored there, and fill it with an entirely new set of ideas; one gentle tap on the back will alter the colour of a man's coat completely; and there are some expert performers, who, having this wand held first on one side, and then on the other, will change from side to side, turning their coats at every evolution, with so much rapidity and dexterity, that the quickest eye can scarcely detect their motions. Occasionally, the genius who confers the wand, wrests it from the hand of the temporary possessor, and consigns it to some new performer; on which occasions all the characters change sides, and then the race and the hard knocks begin anew.
We might have extended this chapter to a much greater length—we might have carried the comparison into the liberal professions—we might have shown, as was in fact our original purpose, that each is in itself a little pantomime with scenes and characters of its own, complete; but, as we fear we have been quite lengthy enough already, we shall leave this chapter just where it is. A gentleman, not altogether unknown as a dramatic poet, wrote thus a year or two ago—
"All the World's a stage, And all the men and women merely players;"
and we, tracking out his footsteps at the scarcely-worth-mentioning little distance of a few millions of leagues behind, venture to add, by way of new reading, that he meant a Pantomime, and that we are all actors in The Pantomime of Life.
IMPROMPTU.
Who the dickens "Boz" could be Puzzled many a learned elf; Till time unveil'd the mystery, And Boz appear'd as Dickens' self! C. J. Davids.
MEMOIRS OF SAMUEL FOOTE.
Few writers obtained a larger share of notoriety during their lifetime than Samuel Foote. If the interest which he excited was not very profound, it was at any rate very generally diffused throughout the community. His witty sayings were in every one's mouth; his plays were the rage of the day; he was the constant guest of royalty, the Dukes of York and Cumberland being among his staunchest friends and patrons; and the "Sir Oracle" of all the bons vivants and would-be wits of the metropolis. Take up any light memoir of those days, and you shall scarcely find one that does not bear testimony to the powers of this incomparable humourist. Yet, what is he now? A name,—perhaps a great one,—but little more. His plays are seldom acted, though the best Major Sturgeon and Jerry Sneak that the stage ever had are still among us; and as seldom perused in the closet, or assuredly they would have been republished oftener than has been the case of late years.