"You lack the season of all nature,—sleep."
Those are the last words we hear from her waking lips; and with a hope that repose may banish those murky thoughts from her husband's mind, she takes, hand in hand with him, her tearful departure from the stage; and seeks her remorse-haunted chamber, there to indulge in useless reveries of deep-rooted sorrow, and to perish by her own hand amid the crashing ruin of her fortunes, and the fall of that throne which she had so fatally contributed to win.
He now consigns himself wholly to the guidance of the weird sisters; and she takes no part in the horrors which desolate Scotland, and rouse against him the insurrection of the enraged thanes. But she clings to him faithfully in his downfall. All others except the agents of his crimes, and his personal dependents, have abandoned him; but she, with mind diseased, and a heart weighed down by the perilous stuff of recollections that defy the operation of oblivious antidote, follows him to the doomed castle of Dunsinane. It is evident that he returns her affection, by his anxious solicitude about her health, and his melancholy recital of her mental sufferings. He shows it still more clearly by his despairing words when the tidings of her death are announced. Seyton delays to communicate it; but at last the truth must come,—that the queen is dead. It is the overflowing drop in his cup of misfortune.
"She should have died hereafter;—
There would have been a time for such a word."
I might have borne it at some other time; but now—now—now that I am deserted by all—penned in my last fortress—feeling that the safeguards in which I trusted are fallacious,—now it is indeed the climax of my calamity, that she, who helped me to rise to what she thought was prosperity and honour,—who clung to me through a career that inspired all else with horror and hate,—and who, in sickness of body, and agony of mind, follows me in the very desperation of my fate, should at such an hour be taken from me,—I am now undone indeed. He then, for the first time, reflects on the brief and uncertain tenure of life. He has long dabbled in death, but it never before touched himself so closely. He is now aweary of the sun—now finds the deep curses which follow him, sufficiently loud to pierce his ear—now discovers that he has already lived long enough—and plunges into the combat, determined, if he has lived the life of a tyrant, to die the death of a soldier, with harness on his back. Surrender or suicide does not enter his mind; with his habitual love of bloodshed, he feels a savage pleasure in dealing gashes all around; and at last, when he finds the charms on which he depended, of no avail, flings himself, after a slight hesitation, into headlong conflict with the man by whose sword he knows he is destined to fall, with all the reckless fury of despair. What had he now to care for? The last tie that bound him to human kind was broken by the death of his wife, and it was time that his tale of sound and fury should come to its appropriate close.
Thus fell he whom Malcolm in the last speech of the play calls "the dead butcher," By the same tongue Lady Macbeth is stigmatised as the fiend-like queen. Except her share in the murder of Duncan,—which is, however, quite sufficient to justify the epithet in the mouth of his son,—she does nothing in the play to deserve the title; and for her crime she has been sufficiently punished by a life of disaster and remorse. She is not the tempter of Macbeth. It does not require much philosophy to pronounce that there were no such beings as the weird sisters; or that the voice that told the Thane of Glamis that he was to be King of Scotland, was that of his own ambition. In his own bosom was brewed the hell-broth, potent to call up visions counselling tyranny and blood; and its ingredients were his own evil passions and criminal hopes. Macbeth himself only believes as much of the predictions of the witches as he desires. The same prophets, who foretold his elevation to the throne, foretold also that the progeny of Banquo would reign; and yet, after the completion of the prophecy so far as he is himself concerned, he endeavours to mar the other part by the murder of Fleance. The weird sisters are, to him, no more than the Evil Spirit which, in Faust, tortures Margaret at her prayers. They are but the personified suggestions of his mind. She, the wife of his bosom, knows the direction of his thoughts; and, bound to him in love, exerts every energy, and sacrifices every feeling, to minister to his hopes and aspirations. This is her sin, and no more. He retains, in all his guilt and crime, a fond feeling for his wife. Even when meditating slaughter, and dreaming of blood, he addresses soft words of conjugal endearment; he calls her "dearest chuck," while devising assassinations, with the fore-knowledge of which he is unwilling to sully her mind. Selfish in ambition, selfish in fear, his character presents no point of attraction but this one merit. Shakspeare gives us no hint as to her personal charms, except when he makes her describe her hand as "little." We may be sure that there were few "more thoroughbred or fairer fingers," in the land of Scotland than those of its queen, whose bearing in public towards Duncan, Banquo, and the nobles, is marked by elegance and majesty; and, in private, by affectionate anxiety for her sanguinary lord. He duly appreciated her feelings, but it is pity that such a woman should have been united to such a man. If she had been less strong of purpose, less worthy of confidence, he would not have disclosed to her his ambitious designs; less resolute and prompt of thought and action, she would not have been called on to share his guilt; less sensitive or more hardened, she would not have suffered it to prey for ever like a vulture upon her heart. She affords, as I consider it, only another instance of what women will be brought to, by a love which listens to no considerations, which disregards all else beside, when the interests, the wishes, the happiness, the honour, or even the passions, caprices, and failings of the beloved object are concerned; and if the world, in a compassionate mood, will gently scan the softer errors of sister-woman, may we not claim a kindly construing for the motives which plunged into the Aceldama of this blood-washed tragedy the sorely urged and broken-hearted Lady Macbeth?