THE LAST OF THE BANDITS.
I much admired, and have often thought of, two pictures of Horace Verney's, which I saw in the Exposition des Tableaux, of I forget what year, at Paris; in truth to nature, in conception and character, they leave nothing to desire. They were painted at Rome; and represent, one, the attack of brigands,—and the other, the death and confession of the captain of the gang after their falling into the hands of the dragoons.
Much has been written, too, on the subject of these outcasts of society; but no description of their manner of life and habits can compare with Washington Irving's "Painter's Story," or rather Charles de Chatillon's own adventures, when carried off from Lucien Bonaparte's villa at Frescati, in mistake for that prince.
The times are grown degenerate; brigandage is no longer a profession; bandits, like the Mohicans, are become extinct, and from Terracina to Forli, travellers have now-a-days no chance of meeting with a Paolo Ucelli, a Fiesole Ogagna, a De Cesaris, or a Barbone. I remember traversing that tract at a period when I expected every moment to see some of these freebooters in their picturesque costume peep from behind every projecting rock. Civilization and morality have stifled all sentiment;—the Neapolitan frontier is become a Salvator Rosa without its figures.
When I landed at Cività Vecchia from the steamer, I inquired of the landlord of the inn whether the redoubtable Barbone was still an inmate of the fortress; and, on his answering in the affirmative, obtained an order to visit the place. Under the escort of one of the Pope's carabiniers, behold me then in the shadow of that colossal edifice!
It was built by Michael Angelo, and, like all his works, whether in architecture, statuary, or painting, is stamped with the grandeur of his genius. Its stupendous bastions, its ponderous gateway, seem built for eternity. Every stone is a rock such as Briareus and his earth-born brothers might have hurled against Jupiter, in that Titanic war described with such sublime obscurity by Hesiod.
The gendarme was, as is common to all the tribe of cicerones, talkative—not respecting the building, for he had never heard of the great architect, but concerning its then inhabitants. He would, if I had listened to him, have recounted the particulars of Signor Barbone's exploits during the seventeen years that he ravaged like a pestilence the Pontifical states. But I expected to obtain information from the fountain-head, and checked his loquacity.
Our hero had, twice before his present captivity, made terms with the Papal government. Once he was placed with Marocco and Garbarone, two worthy confreres, in the seminary of Terracina; and, just as the priests began to consider him an example of contrition and penitence, bore off the youths into the mountains, where this wolf of the fold barbarously murdered all those whose fathers would not, or could not, pay the exorbitant ransom demanded.
One only of the prisoners escaped the proscription, and the circumstance is a curious one. They were bound two and two, and after great privations and fatigues,—for they were dragged into fastnesses almost inaccessible,—an order was given for their execution. One had already fallen by the stiletto, when his companion invoked Sant' Antonio, the patron saint of brigands, and that name saved him. It is a hint worth knowing. Should any future Barbone arise, remember to call upon Saint Anthony!
Barbone afterwards became keeper of the château of St. Angelo, the great prison at Rome; but quickly relapsed into his old practices, the last of which exceeded in ferocity the rest.