In the present and subsequent articles, it is intended to illustrate by pictures actually taken in the field by the veriest tyro in the art of photography, what may be accomplished by any properly equipped amateur in the way of securing portraits of our native birds in their wild state and amid their natural surroundings. Supplemental to such portraits are the more easily taken photographs of the nests, eggs, young, and natural haunts of each species; the whole graphically depicting the most interesting epoch in the life-history of any bird. Words alone fail to tell the story so clearly, so beautifully, and so forcibly. And, best of all, this can be accomplished without carrying bloodshed and destruction into the ranks of our friends the birds; for we all love to call the birds our friends, yet some of us are not, I fear, always quite friendly in our dealings with them. To take their pictures and pictures of their homes is a peaceful and harmless sort of invasion of their domains, and the results in most cases are as satisfactory and far-reaching as to bring home as trophies lifeless bodies and despoiled habitations, to be stowed away in cabinets where dust and insects and failing interest soon put an end to their usefulness. It is not intended, of course, to reflect in any way upon the establishment of orderly and well-directed collections, for such are absolutely necessary to the very existence of the science of ornithology. To such collections the great body of amateur bird students should turn for the close examinations necessary to familiarize themselves with the principles of classification and the distinctions between closely related species. Indeed, it is impossible for anyone to be intelligently informed as to the many varieties of birds, and their wonderful seasonal changes of plumage, without having actually handled specimens.
CHICKADEE AT NEST-HOLE, WITH FOOD FOR YOUNG
The growth of avian photography has been of short duration,—only a few years in this country and not much longer in England, where it seems to have had its inception. But there are already one or two good books dealing with the subject; and a goodly number of ornithological works of recent date, and especially the pages of the journal literature of the day, bear excellent testimony to the merit and beauty of this method of securing bird pictures. Attention, however, has thus far been directed chiefly to obtaining illustrations of nests and eggs and captive birds, to the neglect of the more difficult but more interesting occupation of securing photographs of live birds in their wild state. Herein lies the chief fascination of this branch of photography, for good photographs from life of any of our birds, even the most common, are still novelties.
The successful bird photographer must possess a good camera, including a first-class lens, with at least an elementary knowledge of how to get the best results from it; some acquaintance with field and forest and their feathered inhabitants, and a fund of patience, perseverance, and determination to conquer that is absolutely inexhaustible. No matter how well equipped in other respects, this latter requisite cannot be dispensed with. As to the technique and many details of the art of photography, the writer is still too much of a novice to speak very intelligently. Suffice it to say, that the general principles governing other branches of photography are to be consulted here. One great difficulty to be encountered is that there is little opportunity to arrange the lighting or background of the object to be photographed, and as the latter is apt to be either green foliage or the dull ground, with the camera very near the object, the beginner will be much perplexed to determine the proper stop and the right time of exposure. With the usual appliances a wide open stop will be found necessary with the rapid exposure required, and this will detract in a disappointing manner from the beauty of the negative as a whole. But every determined student will try in his or her own way to lessen these defects, and will find in failure only increased incentive to discover better methods and better appliances. Cameras and lenses especially devised for this kind of work are promised in the near future. A rapid telephoto lens is a great desideratum, and there is reason to believe that in the near future such an one will be available. Those to be had at present increase the time of exposure too much to be generally useful in bird work. The writer has used a 4 × 5 long-focus 'Premo' with Bausch and Lomb Rapid Rectilinear lens (Zeiss-Anastigmat, Series II-A, 41/4 × 61/2), the focal length of the combination being about 61/4 inches. Many kinds of plates have been used, but any good rapid plate will do. For those who are willing to take the additional care necessary to handle them successfully, rapid isochromatic or orthochromatic plates are undoubtedly to be preferred, as they preserve quite clearly the color values.
A consideration of the actual field difficulties, rather than the more purely photographic problems to be encountered, is more within the scope of the present paper. To this end a rather detailed account is given of just how each of the following groups of photographs was secured, hoping that others better equipped, with a better knowledge of photography, and with more leisure, may be encouraged to go and do likewise and present us with the results.
One of the greatest of these field difficulties is that the camera is rarely focused upon the bird to be taken, but is either snapped at random or focused upon some spot to which the bird is expected to return. The latter, in the great majority of cases, is the nest; at other times a much-used perching-place or feeding-ground. Success depends, therefore, very largely upon the nature, disposition, and habits, especially nesting habits, of the particular bird being dealt with. Some birds are of a confiding, unsuspicious nature, and easily reconciled to quiet intrusion; while others are so timid and wary that hours of time have to be expended, and all sorts of devices resorted to, in order to get the coveted 'snap.' Of the risk of life and limb necessary to reach rocky cliff and lofty tree-dwelling species, the recital must come from such daring and fearless devotees of this art as the Kearton brothers of England, and others nearer home.
The nest being the lure usually employed to bring the bird within range of the camera, it will follow that the nesting season is the time of year when most of this work must be done. Thus, spring and early summer are the harvest time of the bird photographer, and as it happens that these, of all the seasons, are the most delightful in which to be afield, the bird-lover, with glass, camera, and note-book, can leave care behind and find contentment, rest, and peaceful profit in the glorious days of June, so happily styled the rarest of all that come.
