This plant, with about forty-five sister species—all beautiful, belongs to the genus Lilium. All are natives of the Northern Hemisphere and are found distributed around the world. About sixteen species are natives of the United States. The flowers vary in color. Some are red, others white or yellow and some are more or less mottled.
No plants are more frequently mentioned in Ancient Myths and by the classical poets. Though the white lily (Lilium candidum) was, even before the time of Homer, known as a garden flower, yet the earliest descriptions of the lilies found in cultivation were written by Gerard in the year 1597.
It is thought by some that the "lilies of the field," spoken of in the seventh chapter of Matthew, are the red lily described by Pliny. The white lilies have long been considered the symbol of purity and were often used by the great masters in the pictures of the Annunciation, in which they were represented as held by the Angel Gabriel. How appropriate is the white lily, with its glossy and pure white petals for the decoration of Easter time!
The slender stalk of the Yellow Lily arises from a scaly bulbous and thickened underground stem, growing to a height of from two to five feet. The leaves are narrow and lance-shaped, from two to six inches in length and usually attached in whorls of from three to eight. Each stalk bears from one to fifteen flowers, the ground color of which is yellow or reddish with brownish spots toward the base of each division, which are six in number and are spreading and gracefully arched. The flowers, appearing in June, July and August, are nodding and vary in length from two to four inches. The fruit pods are oblong, large, and bear numerous seeds.
Closely related to the plant of our illustration, and at times closely resembling it, is the beautiful Turk's Cap Lily (Lilium superbum). This species is wonderfully prolific in the production of flowers, sometimes bearing forty or more on a single stalk. It is one of the tallest of the lilies, and frequently the marshes of the eastern states are transformed by its presence into striking masses of color, orange, orange-yellow or red.
WHAT DO WE OWE THE BIRDS?
The answer to this question needs to be presented from two distinctly different points of view—the commercial and the esthetic. In presenting the commercial point of view it will be necessary to ignore the use of any bird as an article of food, because we are now speaking of the living bird. Likewise it will be necessary to ignore the side which might be presented by the millinery trade, because that, too, has to do with the dead bird. We shall have occasion to present the general subject of the demands of fashion at a later time. This paper, then, is concerned only with our debt to the living bird.
In the [ June number] of Birds and Nature some general remarks were made about what the birds eat. In this paper it will be necessary to go more into particulars in order to get clearly before us just wherein our debt lies.