—Isabella T. M. Blake.
THE SPRING MIGRATION.
II. IN CENTRAL MISSISSIPPI.
In the former article under this title attention was paid to the warblers only. In the present one I will try to give you some idea of the other birds that in spring take part in this general movement northward. A few birds that cannot properly be classed among the winter residents visit us now and then on warm summery days in January and February; they may be called the advance guard of the great army of migration. Conspicuous among these are the bluebird and the hermit thrush, two birds closely related, but very different both in coloring and disposition.
The bluebird is one of the first birds to be learned by the country children; his bright colors, cheerful music and affectionate, trusting disposition make him a general favorite. Right here permit me to digress enough to say that too little encouragement is given the children of our public schools, especially in the country, to learn the names and habits of our common birds. A little time and effort judiciously expended by the teacher in guiding the pupils to an understanding and love of the bird life about them would be an investment paying large dividends in quickened perceptions and increased interest in the too often dull and distasteful round of school work.
The hermit thrush is a lover of the deep, dark shades where he can sit on a twig and watch the stirring life about him without being a part of it—a kind of chimney corner philosopher, if you please. The rufous tail in sharp contrast to the olive brown head and back will tell you his name every time, for he is the only member of the thrush family found in these regions in which the color of the tail differs materially from that of the back. I remember one afternoon in February seeing one in the shade of a thick-topped holly; here he remained quite unconscious while we peered at him through the opera glass, discussed his coloring and consulted the pocket manual to see what Chapman said about him, an occasional jerk of the tail or a slight movement of the head being the only indication of life in the graceful figure before us.
Late in March or early in April come the purple martin, the bank swallow and chimney swift, all cheerful birds whose only apparent aim in life is to sail about through the air in pursuit of gnats and flies. The noisy chatter of the martins as they wheel and turn about near the house is one of the most agreeable sounds in all the gamut of bird voices. They are very numerous in parts of Mississippi, but the only place in the North where I have ever seen them in any considerable numbers is on the Maumee, not far from the little town of Waterville, Ohio. The bank swallow and chimney swift are smaller and less conspicuous than the martin, less noisy but quite as useful.
Soon after the swallows appear the flycatchers, the tyrant wood pewee, phœbe bird, Acadian and great crested. What figure is more familiar on hot summer days than the kingbird or tyrant flycatcher perched on a mullein stalk, now and then darting down from his perch to capture some straying gnat? The Acadian stops for only a very short stay; you will find him in the deepest shades, where the gloom and dampness suit his somber fancy. The wood pewee is also a gloomy soul, possessing no gift of color or song to attract the eye or hold the fancy; his long drawn out monotonous note always reminds me of hot August afternoons when all other bird voices are silent as the grave and summer reigns with undisputed sway. The prince of woodland flycatchers, both from point of coloring and attractive personality, is the great crested; his olive brown back, whitish breast and sulphur-yellow belly give him a more brilliant appearance than the others just mentioned. His character, too, is better, for he is neither as belligerent as the kingbird or as gloomy as the Acadian and wood pewee. His call is not unmelodious, though it would be misleading to call it a song.
April brings the orioles to play their not insignificant part in the great color scheme of Nature at this resurrection season. I always associate the coming of the orchard oriole with the opening of the Chickasaw roses, and the arrival of the Baltimore with the blooming of the yellow poplar (Liriodendron tulipifera). For several seasons I caught my first glimpse of the Baltimore’s flame and black in the top of a tall poplar, and heard his cheery whistle as he dodged in and out among the great cups, making a breakfast on the insects whose hum made the whole woods drowsy. A few brief days of rest and pleasure in this land of flowers and the orioles are gone, except a few pairs that stay to rear their families in these solitudes.
A long, slim, brown body, a stealthy way of sliding in and out among the vines and limbs, and a shy, suspicious air mark the black billed cuckoo or raincrow. He, too, stays but a few days. When you see the raincrow it is time to look for the Wilson’s thrush; but it was never my privilege to hear him sing in these forests. Perhaps he is tired out with the long journey from the land of eternal summer and wishes to be seen, not heard. Writers tell us that this thrush is very plentiful in certain localities, but in this section of the South I saw only two specimens in four years.
The musician of the thrush family, of the whole woods for that matter, in some points a successful rival of the mocking bird, is the wood thrush. Dark cinnamon brown, of quite a uniform tint above and white breast spotted with round, black, or dark brown enable one to pick him out easily from the rest of the thrush family. I remember hearing one sing at a negro “baptizing” just at sunset of an April day. After the immersion had taken place, as the officiating “elder” led the candidate to the bank of the pond, clear negro voices raised one of the good old hymns. As the words of the last verse died away on the evening air and the elder raised his hand to pronounce the benediction, a wood thrush in the nearby forest began his vespers. Sweet, clear as a silver bell, the notes arose, tinkling, reverberating, tender but dignified, voicing in a half-unconscious way the solemn emotions of the hour. What is there in the singing of even the best of trained choirs to compare with this simple voice of Nature, without affectation or conceit, arousing the feelings and appealing to the noblest instincts of our common nature.