Perhaps not. Homer adds thought to thought, and so builds up. Milton involves thought with thought, and so constructs. Relation is with him argumentative also, and History both Philosophy and Oratory. This was unavoidable. He brought the mind of the latter age to the Form of Composition produced by the primitive time. Again, the style is fitted to the general intention of a Poem essentially didactic and argumentative. Again, the style is personal to himself. He has learnedly availed himself of all antecedent Art—minutely availed himself, yet he is no imitator. The style is like no other—it is intensely and completely original. It expresses himself. Lofty, capacious, acute, luminous, thoroughly disciplined, ratiocinative powers wonderfully blend their action with an imagination of the most delicate and profound sensibility to the beautiful, and of a sublimity that no theme can excel.

SEWARD.

Lord Bacon, sir, I believe, has defined Poetry, Feigned History—has he not?

NORTH.

He has—and no wonder that he thought much of "Feigned History"—for he had a view to Epos and Tragedy—the Iliad and Odyssey—the Attic Theatre—the Æneid—Dante—Ariosto—Tasso—the Romances of Chivalry—moreover, the whole Immense Greek Fable, whereof part and parcel remain, but more is perished. Which Fables, you know, existed, and were transmitted in Prose,—that is, by Oral Tradition, in the words of the relator,—long before they came into Homeric Verse—or any verse. He saw, Seward, the Memory of Mankind possessed by two kinds of History, both once alike credited. True History, which remains True History, and Fabulous History, now acknowledged as Poetry only. It is no wonder that other Poetry vanished from importance in his estimation.

BULLER.

I follow you, sir, with some difficulty.

NORTH.

You may with ease. Fabulous History holds place, side by side, with True History, as a rival in dignity, credence, and power, and in peopling the Earth with Persons and Events. For, of a verity, the Personages and Events created by Poesy hold place in our Mind—not in our Imagination only, but in our Understanding, along with Events and Personages historically remembered.

SEWARD.