NORTH.
It is, my friends, the arguing in verse of a question in Natural Theology. Whence are Wrong and Pain? Moral and Physical Evil, as we call them, in all their overwhelming extent of complexity sprung? How permitted in the Kingdom of an All-wise and Almighty Love? To this question, concerning the origin of Evil, Milton answers as a Christian Theologian, agreeably to his own understanding of his Religion,—so justifying the Universal Government of God, and, in particular, his Government of Man. The Poem is, therefore, Theological, Argumentative, Didactic, in Epic Form. Being in the constitution of his soul a Poet, mightiest of the mighty, the intention is hidden in the Form. The Verse has transformed the matter. Now, then, the Paradise Lost is not a history told for itself. But this One Truth, in two answering Propositions, that the Will of Man spontaneously consorting with God's Will is Man's Good, spontaneously dissenting, Man's Evil. This is created into an awful and solemn narrative of a Matter exactly adapted, and long since authoritatively told. But this Truth, springing up in the shape of narrative, will now take its own determination into Events of unsurpassed magnitude, now of the tenderest individuality and minuteness; and all is, hence, in keeping—as one power of life springs up on one spot, in oak-tree, moss, and violet, and the difference of stature, thus understood, gives a deep harmony, so deep and embracing, that none without injury to the whole could be taken away.
BULLER.
What's all this! Hang that Drone—confound that Chanter. Burst, thou most unseasonable of Bagpipes! Silence that dreadful Drum. Draw in your Horns—
SEWARD.
Musquetry! cannon! huzzas! The enemy are storming the Camp. The Delhis bear down on the Pavilion. The Life is in danger. Let us save the King.
NORTH.
See to it, gentlemen. I await the issue in my Swing-chair. Let the Barbarians but look on me and their weapons will drop.
BULLER.
All's right. A false alarm.