"For heaven's sake, let us leave this!" cried the young princess.
"Not without orders; and I have received none."
"But we shall be drowned!"
"That is pretty certain. But without special orders I am not to let you leave this dungeon, under pain of death. In case of unforeseen danger I am to remain with you, and to kill you should rescue be attempted."
"Good God! the water rises. I cannot sustain myself."
The Neva, overflowing its banks, floated enormous blocks of ice, upsetting everything in its passage, and inundating the adjacent country. The water now plashed furiously against the prison doors: the sentinels had been carried away by the torrent, and the other soldiers on guard had taken refuge on the upper floors. Lifted off her feet by the icy flood which still rose higher, the unfortunate captive fell and disappeared; the jailer, who had water to his breast, hung his lamp against the wall, and tried to succour his prisoner; but when he succeeded in raising her up, she was dead! The possibility anticipated by his employers was realised; there had been stress of circumstances, and the princess being dead, he was at liberty to leave the dungeon. Bearing the corpse in his arms, he succeeded in reaching the upper part of the prison.
If we may offer a hint to authors, it is our opinion that this tragical anecdote will be a godsend to some romance-writer of costive invention, and on the outlook for a plot. Very little ingenuity will suffice to spread over the prescribed quantity of foolscap the incidents we have packed into a page. They will dilute very handsomely into three volumes. As to characters, the novelist's work is done to his hand. Here we have the Empress Catherine, vindictive and dissolute, persecuting that "fair girl" the Princess Tarrakanoff, with the assistance of Orloff, the smooth villain, and of the sullen ruffian Ribas. The latter will work up into a sort of Italian Varney, and may be dispersed to the elements by an intentional accident, on board the ship blown up by Orloff's order, for the enlightenment of the painter Hackert. With the exception of the dungeon-scene, we have given but a meagre outline of M. Blanc's narrative; and there are a number of minor characters that may be advantageously brought in and expanded. "This event," says M. Blanc, referring to the kidnapping of the Princess, "caused a strong sensation at Leghorn. Prince Leopold, Grand-duke of Tuscany, complained bitterly of it, and would have had Alexis Orloff arrested; but this vile assassin of Peter III. maintained that he had only executed the orders of his sovereign, who would well know how to justify him. He was supported, in this circumstance, by the English consul, who was his accomplice; and the Grand-duke, seeing he was not likely to be the strongest, suffered the matter to drop." "Some Englishmen," another French writer asserts, "had been so base as to participate in Alexis Orloff's plot; but others were far from approving it. They even blushed to serve under him, and sent in their resignations. Admiral Elphinstone was one of these. Greig was promoted in his place." An Italian prince, indignant, but timid; a foreign consul, sold to Russian interests; a British sailor, spurning the service of a tyrant. We need say no more; for we are quite sure that before they get thus far, the corps of historical novelists will be handling their goose-quills.