The pretty lines which we are now about to offer, are rather remarkable as being written in the manner of the ancient national songs of Russia, than for any thing very new in the ideas, or very striking in the expression. They possess, however—at least in the original—a certain charm arising from simplicity and grace.

The Rose.

.

Where is our rose, friends?
Tell if ye may!
Faded the rose, friends,
The Dawn-child of Day.
Ah, do not say,
Such is youth's fleetness!
Ah, do not say,
Thus fades life's sweetness!
No, rather say,
I mourn thee, rose—farewell!
Now to the lily-bell
Flit we away.


Among the thousand-and-one compositions, in all languages, founded upon the sublime theme of the downfall and death of Napoleon, there are, we think, very few which have surpassed, in weight of thought, in splendour of diction, and in grandeur of versification, Púshkin's noble lyric upon this subject. The mighty share which Russia had in overthrowing the gigantic power of the greatest of modern conquerors, could not fail of affording to a Russian poet a peculiar source of triumphant yet not too exulting inspiration; and Púshkin, in that portion of the following ode in which he is led more particularly to allude to the part played by his country in the sublime drama, whose catastrophe was the ruin of Bonaparte's blood-cemented empire, has given undeniable proof of his possessing that union of magnanimity and patriotism, which is not the meanest characteristic of elevated genius. While the poet gives full way to the triumphant feelings so naturally inspired by the exploits of Russian valour, and by the patient fortitude of Russian policy, he wisely and nobly abstains on indulging in any of those outbursts of gratified revenge and national hatred which deform the pages of almost all—poets, and even historians—who have written on this colossal subject.

Napoleon.

The wondrous destiny is ended,
The mighty light is quench'd and dead;
In storm and darkness hath descended
Napoleon's sun, so bright and dread.
The captive King hath burst his prison—
The petted child of Victory;
And for the Exile hath arisen
The dawning of Posterity.