"January 2, 1831.
"And is it a year since we parted from you at the steps of Edmonton stage? There are not now the years that there used to be. The tale of the dwindled age of men, reported of successional mankind, is true of the same man only. We do not live a year in a year now. 'Tis a punctum stans. The seasons pass with indifference. Spring cheers not, nor winter heightens our gloom; autumn hath foregone its moralities. Let the sullen nothing pass. Suffice it, that after sad spirits, prolonged through many of its months, we have cast our skins; have taken a farewell of the pompous, troublesome trifle, called housekeeping, and are settled down into poor boarders and lodgers at next door, the Baucis and Baucida of dull Enfield. Here we have nothing to do with our victuals but to eat them; with the garden but to see it grow; with the tax-gatherer but to hear him knock; with the maid but to hear her scolded. Scot and lot, butcher, baker, are things unknown to us, save as spectators of the pageant. We are fed we know not how; quieted—confiding ravens. Yet in the self-condemned obliviousness, in the stagnation, some molesting yearnings of life, not quite killed, rise, prompting me that there was a London, and that I was of that old Jerusalem. In dreams I am in Fleet Market, but I wake and cry to sleep again. I die hard, a stubborn Eloisa in this detestable Paraclete. What have I gained by health? Intolerable dulness. What by early hours and moderate meals? A total blank. Oh! let no native Londoner imagine that health, and rest, and innocent occupation, interchange of converse sweet, and recreative study, can make the country anything better than altogether odious and detestable. A garden was the primitive prison, till man, with Promethean felicity and boldness, luckily sinned himself out of it."
Any further summary than what we have already given, of the literary character of Lamb, would be only tedious. He is one who will be generally liked, who with a smaller class will be greatly admired, and who will never excite hostile criticism, unless his injudicious friends shall elevate him to a higher pedestal than is due to him, or than he is manifestly fit to occupy. Such is the cold and calm verdict with which criticism must dismiss him. But those who have thoroughly enjoyed the essays of Elia and the letters of Lamb, will feel a warmer, a more partial affection than Criticism knows well how to express: she becomes somewhat impatient of her own enforced gravity; she would willingly throw away those scales with which, like Justice, we suppose, she is symbolically supplied, and, embracing the man as he is, laugh and be pleased with the rest of the world, without further thought of the matter.
[THE CAXTONS.—PART XV.]
CHAPTER LXXXIV.
"Please, sir, be this note for you?" asked the waiter.
"For me—yes; it is my name."
I did not recognise the handwriting, and yet the note was from one whose writing I had often seen. But formerly the writing was cramped, stiff, perpendicular, (a feigned hand, though I guessed not it was feigned;) now it was hasty, irregular, impatient—scarce a letter formed, scarce a word that seemed finished—and yet strangely legible withal, as the handwriting of a bold man almost always is. I opened the note listlessly, and read—