A cloud came over the little face—a mighty inclination to cry again; but Jessie glanced at the picture once more, and swallowed down her grief, feeling herself a very guilty Jessie, as one great blob of a tear fell upon her arm.
“It wasna little Davie’s blame—it was a’ me.” Poor little culprit, she dares not hang her head for terror of that picture. “He was paidling in the burn—and his new peeny ga’e a great screed, catching on the auld saughtree; but it wasna his blame—he’s owre wee—it was a’ mine for no looking after him. Just, I was awfu’ busy; but that’s nae excuse—and my mother ga’e Davie his licks, for a’ I could say.”
Another great tear; no one knows so well what an imp this said little Davie is—but Jessie sighs again. “It was a’ me.”
But it is not this little cloud of childish trouble that throws a something of pensive sadness into Jessie’s pictured face. The face is the face before you; but the atmosphere, Menie Laurie, is in your own heart. Something sad—touched with that sweet pathos which lies on the surface of all great depths—and this true picture grows under Menie’s hand to a heroic child.
It is a strange place for an artist to be. From this dark raftered threatening roof which catches your first glance, you look down to the mother by the fire with her unpretending look of gentlewoman—to the daughter’s graceful head bending over her work—to pretty little Jessie here with her flutter of extreme stillness, looking at the grey walls and sober thatch without. You would never think to surprise such a group within; and yet, when you look at them again, there is something of nobleness in the primitive cottage where these women have come to live independent and unpitied—come down in the world—very true; but it would be hard to presume upon the tenants of this wayside house.
You need not fear to enter, little July. Half-weeping, blushing, trembling, and with all these beseeching deprecations of yours, you may come in boldly at this narrow entrance. “It is no blame of hers, poor bairn,” Mrs Laurie says, with a little sigh. No blame of hers nor of Randall’s either, for Menie has kept her secret religiously, and will never tell to mortal ear what broke her engagement. Nelly Panton knows it, it is true; but Nelly, with the obtuse comprehension of a mercenary mind, thinks Randall broke off the match in consequence of Mrs Laurie’s poverty, and knows of no more delicate difficulties behind. Come in boldly, July Home—for no manner of interpretation could disclose to you the sudden pang which seizes Menie as she bends her head down for an instant, when she discovers you at the door. Now she says nothing, as she holds out her hand; but Menie is busy; it is only her left hand she extends to her friend; that is why she does not speak.
“I’m not to come out again,” whispers July, sitting back into Mrs Laurie’s shadow, and speaking under her breath. “I came here the very last place—and oh, Menie, will you come?”
The colour mounts high to Menie’s temples; this means, will she come to July’s marriage, which is to happen a week hence. Will she be there? Some one else will be there, the thought of whose coming makes Menie’s heart beat strong and loud against her breast. But Menie only shakes her head in reply—shakes her head and says steadily, “No.”
“You might come, for me. I never had a friend but you, and you’ve aye been good to me. Mrs Laurie, she might come?”
But Mrs Laurie too, after quite a different fashion, shakes her head with a look of regret—of only partial comprehension, but unmistakable solicitude. “No,” she says, doubtfully; “I do not see how Menie could go;” but, as she speaks, she looks at Menie, with an eager wish that she would.