The architecture of a nation is ever dependent to a great extent upon the building materials at its command. The alluvial plains of Assyria, unbroken by a single eminence, were singularly destitute of stone of any kind, especially in the lower portion of the valley; so that the inhabitants had to betake themselves to bricks, which they could manufacture in endless abundance by mixing a little straw with the alluvial soil. In Babylonia, where not a slab of stone could be got within hundreds of miles, these bricks were carefully made,—being kiln-dried, and often coloured, and, while the colours were still moist, glazed in the fire. Around Nineveh they were, for the most part, merely dried for a day or two in the hot sun,—and with bricks of this description the houses of Mesopotamia are built to this day. But Nineveh, being nearer the mountains, had a great advantage over Babylon. The plains around it, and the lowlands lying between the Tigris and the hill-country, abound in a kind of coarse alabaster or gypsum, large masses of which protrude in low ridges from the alluvial soil, or are exposed in the gullies formed by winter torrents. Ornamental from its colour and transparency, and offering few difficulties to the sculptor, this alabaster was used by the people of Nineveh in their public buildings. Cut into large slabs, it was used as panels to cover the inner surface of the brick walls,—each slab bearing on its back an inscription recording the name, title, and descent of the king undertaking the work, and being kept in its place by cramps and plugs of metal or wood. After being thus fixed against the wall, the face of the slabs was covered with sculptures and inscriptions,—in some edifices, as at Kouyunjik, each chamber being reserved for some particular historical incident, and each palace, it would appear, only recording in its sculptures the exploits of the king who built it. No pillars are to be found in Assyrian architecture; and the difficulty experienced by the builders in the construction of expansive roofs is shown by the great narrowness of the rooms compared with their length; the most elaborately ornamented hall at Nimroud, although above 160 feet in length, being only 35 feet broad. Forty-five feet appears to have been the greatest width spanned over by a roof; for the great central hall in the north-west palace at Nimroud (110 feet by 90) may have been entirely open to the sky,—and, as it did not contain sculptures, it probably was so. The rooms ranged from 16 to 20 feet in height; the side-walls being covered to twice the height of a man by the sculptured slabs, and their upper portion being built of baked bricks richly coloured, or of sun-dried bricks covered by a thin coat of plaster, on which various ornaments were painted. Of the mode of roofing these palaces we know nothing. Probably the roof was formed of beams resting solely on the side-walls; but as this method would not have sufficed for the larger rooms, from 35 to 45 feet in width, we may conjecture that the beams in some instances were made to meet and rest against each other at a slight angle in the centre of the ceiling, or (more improbably) that wooden pillars or posts were employed which have since entirely mouldered away. No traces of windows are to be found, even in the chambers next the outer walls; so that, as in the temples of Egypt, there must have been square openings or skylights in the ceilings, which may have been closed during the winter-rains by canvass or some such material. The pavement of the chambers was formed either of alabaster slabs, or of kiln-burnt bricks, covered with inscriptions relating to the king;—and beneath this pavement, drains led from almost every room, showing that water might occasionally have entered the rooms from above, by such apertures in the ceiling as have been conjectured.
The interior of these Assyrian palaces must have been as magnificent as imposing. Mr Layard thus graphically describes the spectacle which, in days of old, met the eye of those who entered the abode of the Assyrian kings:—
“He was ushered in through the portal guarded by the colossal lions or bulls of white alabaster. In the first hall he found himself surrounded by the sculptured records of the empire. Battles, sieges, triumphs, the exploits of the chase, the ceremonies of religion, were portrayed on the walls—sculptured in alabaster, and painted in gorgeous colours. Under each picture were engraved, in characters filled up with bright copper, inscriptions describing the scenes represented. Above the sculptures were painted other events—the king, attended by his eunuchs and warriors, receiving his prisoners, entering into alliances with other monarchs, or performing some sacred duty. These representations were enclosed in coloured borders of elaborate and elegant design. The emblematic tree, winged bulls, and monstrous animals were conspicuous amongst the ornaments. At the upper end of the hall was the colossal figure of the king in adoration before the supreme deity, or receiving from his eunuch the holy cup. He was attended by warriors bearing his arms, and by the priests or presiding divinities. His robes, and those of his followers, were adorned with groups of figures, animals, and flowers, all painted with brilliant colours.
“The stranger trod upon alabaster slabs, each bearing an inscription, recording the titles, genealogy, and achievements of the great king. Several doorways, formed by gigantic winged lions or bulls, or by the figures of guardian deities, led into other apartments which again opened into more distant halls. In each were new sculptures. On the walls of some were processions of colossal figures—armed men and eunuchs following the king, warriors laden with spoil, leading prisoners, or bearing presents and offerings to the gods. On the walls of others were portrayed the winged priests, or presiding divinities, standing before the sacred trees.
“The ceilings above him were divided into square compartments, painted with flowers, or with the figures of animals. Some were inlaid with ivory, each compartment being surrounded by elegant borders and mouldings. The beams, as well as the sides of the chambers, may have been gilded, or even plated with gold and silver; and the rarest woods, in which the cedar was conspicuous, were used for the wood-work. Square openings in the ceilings of the chambers admitted the light of day. A pleasing shadow was thrown over the sculptured walls, and gave a majestic expression to the human features of the colossal forms which guarded the entrances. Through these apertures was seen the bright blue of an eastern sky, enclosed in a frame on which were painted, in vivid colours, the winged circle, in the midst of elegant ornaments, and the graceful forms of ideal animals.
“These edifices, as it has been shown, were great national monuments, upon the walls of which were represented in sculpture, or inscribed in alphabetic characters, the chronicles of the empire. He who entered them might thus read the history, and learn the glory and triumphs of the nations. They served, at the same time, to bring continually to the remembrance of those who assembled within them on festive occasions, or for the celebration of religious ceremonies, the deeds of their ancestors, and the power and majesty of their gods.”
This royal magnificence was well guarded. The external walls of the Assyrian cities, as we learn from the united testimony of ancient authors, were of extraordinary size and height. According to Diodorus Siculus, the walls of Nineveh were one hundred feet high,—so broad that three chariots might be driven abreast along their summit,—and fortified with fifteen hundred towers, each of which was two hundred feet in height. According to the same authority, the circumference of the city was sixty miles,—a statement which exactly tallies with the dimensions given in the Book of Jonah, where Nineveh is said to have been three days’ journey round about. This is an immense circuit,—but it must be recollected that the dimensions of an Eastern city do not bear the same proportion to its population as those of an European city. The custom, prevalent to some degree in Southern Asia, even in the earliest times, of secluding the women in apartments removed from those of the men, as well as the heat of the climate, renders a separate house for each family almost indispensable, and is perfectly incompatible with that economy of space, and close aggregation of dwellings, which we witness in the cities of the West. Moreover, within the circuit of those old cities there used to be a “paradise” or hunting-ground for the king, and orchards, gardens, and an extensive tract of arable land; so that the inhabitants, behind their impregnable walls, could bid defiance alike to force and to famine. From the expression of Jonah, that there was much cattle within the walls of Nineveh, it may be inferred that there was also pasture for them. Many cities of the East—as, for instance, Damascus and Ispahan—are still built in this manner; the amount of their population being greatly disproportionate, according to our Western notions, to the site which they occupy.
If we take the four great mounds of Nimroud, Kouyunjik, Khorsabad, and Karamles, as the corners of an elongated quadrangle (eighteen miles by twelve), it will be found that the form as well as the circumference of the city correspond pretty accurately with the statements of ancient writers. Each quarter of this vast city, says Mr Layard, may have had its peculiar name; hence the palace of Evorita, where Saracus destroyed himself—and the Mespila and Larissa of Xenophon, which names the Greek general applies respectively to the mound-ruins at Kouyunjik and Nimroud. It is certain that large fortified enclosures existed within the outer walls, surrounding the principal buildings or palaces, and capable of defence after the rest of the city was stormed. These four great mounds, the scene of Mr Layard’s excavations, mark the site of the principal public buildings of Nineveh,—apparently at once temples and palaces,—built upon elevated platforms of masonry, like the temples of the ancient Mexicans, and, from their great strength, always placed so as to form part of the external defences of the city. But these were not the only great buildings in Nineveh; for within the quadrangle described by these ruins, many other large mounds are to be seen, and the face of the country is strewed with the remains of pottery, bricks, and other fragments. The space between the great public buildings was doubtless occupied by private houses, standing in the midst of gardens, and built at distances from each other; or forming streets which enclosed gardens of considerable extent, and even arable land. The absence of the remains of these houses, says Mr Layard, is easily accounted for. “They were constructed almost entirely of sun-dried bricks, and, like the houses now built in the country, soon disappeared altogether when once abandoned, and allowed to fall into decay. The largest palaces would probably have remained undiscovered, had not slabs of alabaster marked the walls. There is, however, sufficient to indicate that buildings were once spread over the space above described; for, besides the vast number of small mounds everywhere visible, scarcely a husbandman drives his plough over the soil without exposing the vestiges of former habitations.”
From the numerous large mound-ruins visible on the Mesopotamian plains, it is evident that the work of excavation is only commenced. The long-sealed book of Assyrian history and antiquities has only begun to be unrolled; and in the course of another generation the labours of Layard will probably be as far exceeded as those of Belzoni in Egypt have been by the recent investigations of Lepsius and Champollion-le-Jeune. It is needless, then, at present to waste time in the discussion of moot points in Assyrian history, which in a few years fresh discoveries may at once set definitively at rest. As yet, Assyrian chronology has been but little advanced by the recent researches,—and this principally owing to the circumstance, already mentioned, that the sculptures and inscriptions of each palace relate only to the career of the particular king who erected or embellished it. All we know is, that the palaces at Nimroud (if we except the unfinished one) must have been built at least nine centuries B.C.; but that the earliest of them may have been reared by the great Ninus himself[[147]] (2000 B.C.),—a most unsatisfactory state of knowledge; and that the palaces at the other angles of the city—namely, Kouyunjik, Karamles, and Khorsabad—were erected, to all appearance, between the ninth and sixth centuries B.C. We know, however, with all certainty, that a great crisis and convulsion in the fortunes of the State occurred between the erection of the earlier and later series of palaces. This convulsion was probably occasioned by the successful revolt of the Medes under Arbaces, and the capture of Nineveh, about 950 B.C., which brought to an end the ancient dynasty of Ninus and Semiramis, after thirteen centuries of power, and established a new family on the throne.
Ninus—whose character as a great hunter of the lion and panther tallies with the scriptural accounts of Nimrod—is said, by the general consent of many ancient writers, to have founded the Assyrian monarchy more than two thousand years before Christ,—doing so in the midst of a people far advanced in civilisation, whose works, says Moses of Chorene, the new-comers endeavoured to destroy, and whose knowledge of the arts was taken advantage of by the conquerors in the erection and embellishment of their palaces. In corroboration of this it may be stated, that of all the specimens of Assyrian art which have been discovered, the most ancient are invariably the best,—a curious fact, agreeing with, but not establishing, the hypothesis that the builders of the most ancient edifices at Nineveh were assisted by a people of skill superior to their own.