Having thus got into the good graces of a few lords and ladies, it is scarcely to be wondered at that Miss Owenson should become disgusted with Mrs Crawford and her pruderies. “As I found that these good people” (the Crawfords) “were determined on going for life to Castle Tumbledown” (Fort-William), “and as I never had any strong propensity for the society of crows who have established a very flourishing colony in the battlements, I gave in my resignation last week.” It was time that she should, for her mind was so completely divided between authorship and gaiety, that it could scarcely be expected to stoop to the trivialities of teaching. ‘St Clair,’ brought out, as we have stated, surreptitiously, had made some stir. Miss Jewsbury says it was translated into German; but we doubt whether it was much read at home beyond the circle of the authoress’s acquaintances. The complimentary notes which it drew from her friends, however, induced her to begin another, which was to be completed in six volumes, and to which she gave the name of the ‘Novice of St Domenich.’ Part of the ‘Novice’ she seems to have written in her father’s lodgings at Enniskillen, whither, after her breach with Mrs Crawford, she appears to have retired; part in the house of a family called Crossley, to whom she paid a visit. There were several sons in that family, one of whom, as a matter of course, fell in love with her. His letters—for he wrote many—are all carefully preserved; and on the back of the envelope in which they were wrapped up Miss Jewsbury found the following inscription:—“Francis Crossley, aged eighteen, chose to fall in love with me, Sydney Owenson, aged eighteen. He was then intended for a merchant, but the ‘Novice of St Domenich,’ which he copied out, as regularly as it was written, in six huge volumes, and its author, turned his head. He fled from his country-house, went to India, and became a great man.” With exceeding naïveté Miss Jewsbury observes on this—“Lady Morgan, when she endorsed these papers, had of course forgotten her own age. It is so sweet to be eighteen.” Forgotten her own age! We should think that she had, just as she forgot everything which did not minister to her vanity or jump with the humour of the moment. But Lady Morgan could remember as well as forget, when it suited her purpose. “Among her memoranda of 1822 and 1824,” says Miss Jewsbury, “are two or three entries on the subject of Captain Crossley, which may be given in this place:” “Francis Crossley, my fast friend of the other sex, met me at my sister’s house at dinner after an absence of eighteen years. It was a singular interview. What was most singular in it is, that he remains unchanged. He insists upon it that, in person, so am I.” “August 24th: Received this day a letter from Captain Crossley, acquainting me with his intention of marrying. I have written him an answer à mourir de rire, and so ends our romance of so many years!” “August 26th: Captain and Mrs Crossley dined this day here, and I never saw such a triste-looking couple. My poor Francis silent and sad.” How could he be otherwise, poor man! under the circumstances—with the new and old love both before him, and cut off, by his own rash act, from choosing between?
We take leave from this date of Miss Owenson the governess, that we may follow the fortunes of Miss Owenson the authoress. Her pen is never idle. She writes, with equal facility and speed, songs, which are set to music or arranged by her father, odes, and novels. She has learned, likewise, how to attend to her own interests in disposing of her copyrights. The Dublin publisher seems to have rendered her no account, so she opens a correspondence with Sir Richard Phillips of London. The story which she tells, and her manner of telling it, take with the bibliopole, and she packs up the ‘Novice,’ and sets off alone, personally to negotiate with him. With all her foibles (for, indeed, Lady Morgan’s worst faults scarcely deserve to be described by a harsher title), there was something about her which made friends wherever she went. Mr Quintin Dick, for example, a chance fellow-passenger in the coach from Holyhead, never lost his interest in her to the day of his death. Phillips could not resist her insinuating manners. He bought her MS. (she does not say what he gave for it); and, though married and of middle age, made love to her in his own way. Gruff, stern, old Mrs Inchbald, alone of the Londoners to whom she recommended herself, repulsed her. But the repulse made no lasting impression. She returned to Ireland gratified and hopeful, and extended day by day her reputation, and the circle, already not limited, of her correspondence and acquaintances.
Lady Morgan’s novels have long since passed into the oblivion which is their rightful portion. They are all cast in the same mould. Whether we look into ‘St Clair,’ ‘The Novice,’ ‘The Wild Irish Girl,’ ‘The O’Briens and the O’Flahartys,’ or any other of the multitudinous brood which made their appearance at intervals from 1801 to 1826, each resembles the other as closely as pea resembles pea. We have in all of them the same characters, almost the same incidents, certainly the same opinions, and the same style of conversation throughout. Miss Owenson herself is the universal heroine; Mr Owenson figures in most of them, sometimes as a prince, otherwise as a nobleman. The officers with whom she associated in Kilkenny—the friends who sheltered her in her hour of need—her lovers, real or imaginary—her lord and lady acquaintances—an interesting priest, and a griping parson,—all come upon the stage. The love-passages are warm, the learning is ludicrous; the delineation of national manners and national modes of thinking one-sided; and the style lively and incorrect, or else turgid and pompous. They attained to a degree of popularity for which it seems difficult in this age to account. The truth, however, is, that Miss Owenson caught the top of the wave. By writing up Liberalism just as it began to struggle into fashion, she became to the Whigs, as a novelist, pretty much what Moore was as a poet; and she reaped her reward. For the Tories, as is their wont, while they abused her principles, followed the lead set them by their rivals, and spoke of the authoress as a woman of genius, whom it would be generous to praise and entertaining to cultivate. Hence both parties were as ready to receive her advances as she was willing to make them. Moreover, when she attained to the height of her popularity, at the date of the publication of ‘The Wild Irish Girl,’ public taste was wretched in the extreme. The Waverley Novels had not yet begun to purify the atmosphere which the Minerva Press had long darkened, and Miss Edgeworth and Miss Austin stood wellnigh alone among lady-novelists. Now, Miss Owenson, though neither an Edgeworth nor an Austin, was far superior to your ‘Anna Marias’ and ‘Girls of the Mountain.’ She had a good deal of intuitive perception into the realities of woman’s nature, though not, perhaps, into the best parts of it; and hence, in spite of frequent outrages to good manners, and sometimes to decency, she commanded attention.
“I read ‘Ida,’” writes Lady Charleville, “before it was all issued from the press, a volume being sent me as soon as sewed; and I read it with the same conviction of the existence of excellent talent, great descriptive powers; and in this work I find particular ingenuity in the novel attempt to interest us for a woman who loved two. And for each of the lovers the episode was happily contrived on this plan, and executed with great taste and spirit. I could have wished the situations had been less critical in point of delicacy, as the English gentleman has incurred great blame on all sides for having suffered her to escape; and the poor Turk too. The politics of Athens are ingenious; but, alas! one poor Emmet, hanging so recently in our streets, does not suffer us to enjoy our miseries in any fiction for some years to come. I have not read the ‘Monthly Review,’ where it is criticised. I choose to be pleased with what you write now, though I do heartily reprobate your putting off the period of polishing and purifying your language, for pique to those censors, who, after all, may be the best of friends, if they point out a path so attainable to fame. Assuredly, to those to whom God has given fancy, and a touch of the ethereal spark, it is doubly a duty to write pure language, under the penalty of else rendering the best gift of Heaven valueless. Where little is to be done, it is inexcusable to neglect that; and assuredly you promised me that ‘Ida’ should be more correct than your former publications, even, as you imagined, at the expense of fancy. Now, we found as much imagination as ever, and not more of the square and compass than hitherto.”
If it was thus that ladies of taste and delicacy, however awkwardly they might express themselves, thought and wrote of Miss Owenson’s manner of handling the tender passion, and if ladies of taste and delicacy could dispense their criticisms with so gentle a hand, it is little to be wondered at if the mass of subscribers to circulating libraries devoured such books as ‘Ida,’ and pronounced them divine.
Miss Owenson was now the fashion, and Lord and Lady Abercorn invited her to pay them a visit at Baronscourt. They had read ‘The Novice of St Domenich’ and ‘The Wild Irish Girl,’ and, being bored with each other’s society, yet equally taking a fancy to the authoress, they urged her to come and live with them, and amuse them over their dull fireside. Miss Jewsbury, writing, we presume, from her friend’s notes, thus describes the pair:—
“He” (the Marquess) “was extremely handsome, noble, and courtly in his manner; witty, sarcastic, a roué as regarded his principles towards women, a Tory in politics, fastidious, luxurious, refined in his habits, fascinating in his address, blasé upon pleasure and prosperity, yet capable of being amused by wit, and interested by a new voice and face. Altogether, he was as dangerous a man for a brilliant young woman to be brought near, as could easily be found. Miss Owenson had, however, the virtue for herself which she bestowed upon her heroines. Her own sentiments and romances found their outlet and exercise in her novels; and she had, for all practical purposes, the strong hard common sense which called things by their right names, and never gave bewildering epithets to matters of plain right and wrong. She had no exaggerated generosity, nor sentiments of delicacy about other people’s feelings. The Marchioness of Abercorn was as genuine a fine lady as the Marquess was a fine gentleman. In after years Lady Morgan drew her portrait in ‘O’Donnel’ as Lady Llamberis. She was good-natured and inconsequent; she took up people warmly, and dropped them easily; she was incapable of permanent attachment, except to those belonging to herself.”
With this amiable couple Miss Owenson lived rather more than two years. She does not appear to have been altogether pleased with her position, and no wonder. Lady Abercorn was the Marquess’s third wife, who
“Lived with him on terms of excessive politeness, and poor Miss Owenson was expected to bear their tempers and attentions, to sit in the cross-fire of their humours, and to find good spirits and sprightly conversation when they were dull. Add to this, that heavy pressure of anxiety about family matters, which was laid upon her before her nerves and sinews were braced to meet it, and before she had any worldly knowledge, produced a feeling of exhaustion. In the material prosperity of her life at Baronscourt the tension relaxed, and the fatigue of past exertion asserted itself. Her own ambition had never allowed her to rest—she had been wonderfully successful; but at Baronscourt and Stanmore Priory all she had attained looked dwarfed and small when measured by the hereditary power and consequence of the family in which she was for the time an inmate. She did not become discontented, but she was disenchanted for the time with all that belonged to herself, and saw her own position on its true comparative scale. Sydney Owenson, from earliest childhood, had depended on herself alone for counsel and support. There is no sign that she ever felt those moments of religious aspiration, when a human being, sensible of its own weakness and ignorance, cries for help to Him who made us. There are no ejaculations of prayer or of thanksgiving; she proudly took up her own burden, and bore it as well as she could; finding her own way, and shaping her own life, according to her own idea of what ought to form her being’s end and aim. She was a courageous indomitable spirit; but the constant dependence on herself, the steady concentration of purpose with which she followed out her own career without letting herself be turned aside, gave a hardness to her nature, which, though it did not destroy her kindness and honesty of heart, petrified the tender grace which makes the charm of goodness.”
Lord and Lady Abercorn were very fond of Miss Owenson in their own way. They had formed a plan for her happiness, which, in spite of the opposition in the outset of the two parties most interested, they ultimately succeeded in carrying into effect. Lord Abercorn had for his family physician Dr Morgan, a dull, priggish, and most conceited individual, between whom and the authoress of ‘The Wild Irish Girl’ he and the Marchioness determined to make a match. How the affair went on from its dawn to its consummation; how Miss Owenson compelled the reluctant doctor to fall in love with her in spite of himself; how, frightened at the results of the frolic, she would have drawn back at last, had not the lord and lady proved too clever for her,—Lady Morgan, with her usual taste, has described in detail. All the doctor’s letters, with some of her own, are printed in this collection; the latter of which, by the by, rather contradict the text of the narrative. According to her ladyship’s version, placed on record after the event, things ran thus:—There had been a great deal of love-making on his side, with something very like it on hers; but in the end—