THE WORLD OF LONDON. SECOND SERIES. PART III.
THE ARISTOCRACIES OF LONDON LIFE.
OF GENTILITY-MONGERING.
The HEAVY SWELL was recorded in our last for the admiration and instruction of remote ages. When the nineteenth century shall be long out of date, and centuries in general out of their teens, posterity will revert to our delineation of the heavy swell with pleasure undiminished, through the long succession of ages yet to come; the macaroni, the fop, the dandy, will be forgotten, or remembered only in our graphic portraiture of the heavy swell. But the heavy swell is, after all, a harmless nobody. His curse, his besetting sin, his monomania, is vanity tinctured with pride: his weak point can hardly be called a crime, since it affects and injures nobody but himself, if, indeed, it can be said to injure him who glories in his vocation—who is the echo of a sound, the shadow of a shade.
The GENTILITY-MONGERS, on the contrary, are positively noxious to society, as well particular as general. There is a twofold or threefold iniquity in their goings-on; they sin against society, their families, and themselves; the whole business of their lives is a perversion of the text of Scripture, which commandeth us, "in whatever station we are, therewith to be content."
The gentility-monger is a family man, having a house somewhere in Marylebone, or Pancras parish. He is sometimes a man of independent fortune—how acquired, nobody knows; that is his secret, his mystery. He will let no one suppose that he has ever been in trade; because, when a man intends gentility-mongering, it must never be known that he has formerly carried on the tailoring, or the shipping, or the cheese-mongering, or the fish-mongering, or any other mongering than the gentility-mongering. His house is very stylishly furnished; that is to say, as unlike the house of a man of fashion as possible—the latter having only things the best of their kind, and for use; the former displaying every variety of extravagant gimcrackery, to impress you with a profound idea of combined wealth and taste, but which, to an educated eye and mind only, conveys a lively idea of ostentation. When you call upon a gentility-monger, a broad-shouldered, coarse, ungentlemanlike footman, in Aurora plushes, ushers you to a drawing-room, where, on tables round, and square, and hexagonal, are set forth jars, porcelain, china, and delft; shells, spars; stuffed parrots under bell-glasses; corals, minerals, and an infinity of trumpery, among which albums, great, small, and intermediate, must by no means be forgotten.
The room is papered with some splendacious pattern in blue and gold; a chandelier of imposing gingerbread depends from the richly ornamented ceiling; every variety of ottoman, lounger, settee, is scattered about, so that to get a chair involves the right-of-search question; the bell-pulls are painted in Poonah; there is a Brussels carpet of flaming colours, curtains with massive fringes, bad pictures in gorgeous frames; prints, after Ross, of her Majesty and Prince Albert, of course; and mezzotints of the Duke of Wellington and Sir Robert Peel, for whom the gentility-monger has a profound respect, and of whom he talks with a familiarity showing that it is not his fault, at least, if these exalted personages do not admit him to the honour of their acquaintance.