CHAPTER IV.

When Frederick came to his senses he found himself in his chamber, seated on the same sofa of Utrecht brocade which he had watered with his tears two hours before. On the table before him lay the fiddle which he had dashed to atoms against the corner of the chimney. On seeing the object of his affection, the enraptured musician, the rival of Castero, rushed towards it with a cry of joyful surprise. He took the instrument in his hands—he devoured it with his eyes, and then, at the summit of his felicity, he clasped it to his bosom. The instrument was perfectly uninjured, without even a mark of the absurd injustice of its owner. Not a crack, not a fissure, only the two gracefully shaped § § to give vent to the double stream of sound. But is he not the victim of some trick—has no other fiddle been substituted for the broken Straduarius? No!—'tis his own well-known fiddle, outside and in—the same delicate proportions, the same elegant neck, and the same swelling rotundity of contour that might have made it a model for the Praxiteles of violins. He placed the instrument against his shoulder and seized the bow. But all of a sudden he paused—a cold perspiration bedewed his face—his limbs could scarcely support him. What if the proof deceives him. What if—; but incertitude was intolerable, and he passed the bow over the strings. Oh blessedness! Frederick recognized the unequalled tones of his instrument—he recognized its voice, so clear, so melting, and yet so thrilling and profound,

"The charm is done,
Life to the dead returns at last,
And to the corpse a soul has past."

Now, then, with his fiddle once more restored to him, with love in his heart, and hatred also lending its invigorating energies, he felt that the future was still before him, and that Castero should pay dearly for his triumph of the former day.

When these transports had a little subsided, Frederick could reflect on the causes which gave this new turn to his thoughts. The defeat he had sustained—his insane anger against his Straduarius—his attempt at suicide—his meeting with the stranger, and his extraordinary disappearance amidst the waves of the lake.

But, with the exception of the first of these incidents, had any of them really happened? He could not believe it. Was it not rather the sport of a deceitful dream? His fiddle—he held it in his hands—he never could have broken it. In fact, the beginning of it all was his despair at being beaten, and he was indebted to his excited imagination for the rest—the suicide, the lake, and the mysterious Unknown.

"That must be it," he cried at last, delighted at finding a solution to the mystery, and walking joyously up and down his chamber. "I have had a horrible dream—a dream with my eyes open; that is all."

Two gentle taps at the door made him start; but the visitor was only one of the brewery boys, who gave him a letter from the burgomaster.

"Yoran, did you see me go out about two hours ago?" asked Frederick anxiously.

"No, meinheer," said the boy.