"Having said that the gig built to carry one is made to carry fifteen, I am, of course, expected to explain how this is accomplished. There is an old French proverb, according to which, when there is enough for one there is enough for two; but I am not aware of any proverb in any language which says, that when there is enough for one, there is enough for fifteen. Nevertheless, it is the case with the corricolo. In the present advanced state of civilization, every thing is diverted from its primitive destination. As it is impossible to say at what period, or in how long a time, the capacity of the vehicle in question was extended in the ratio of one to fifteen, I must content myself with describing the way of packing the passengers.
"In the first place, there is almost invariably a fat greasy monk seated in the middle, forming the centre of a sort of coil of human creatures. On one of his knees is some robust rosy-cheeked nurse from Aversa or Nettuno; on the other, a handsome peasant woman from Bauci or Procida. On either side of him, between the wheels and the body of the vehicle, stand the husbands of these two ladies. Standing on tiptoe behind the monk is the driver, holding in his left hand the reins, and in his right the long whip with which he keeps his horses at an equal rate of speed. Behind him are two or three lazzaroni, who get up and down, go away, and are succeeded by others, without any body taking notice of them, or expecting them to pay for their ride. On the shafts are seated two boys, picked up on the road from Torre del Greco or Pouzzoles, probably supernumerary ciceroni of the antiquities of Herculaneum and Pompeii. Finally, suspended under the carriage, in a sort of coarse rope network with large meshes, which swings backwards and forwards at every movement of the vehicle, is a shapeless and incomprehensible mass, which cries, laughs, sings, screams, shouts, and bellows, all by turns and none for long together, and the nature of which it is impossible to distinguish, dimly seen as it is through the clouds of dust raised by the horses' feet. This mass consists of three or four children, who belong to Heaven knows who, are going Heaven knows where, live Heaven knows how, and are there Heaven knows wherefore.
"Now then, put down, one above the other, monk, women, husbands, driver, lazzaroni, boys and children; add them up, include the infant in arms, which has been forgotten, and the total will be fifteen.
"It sometimes happens that the coricolo passes over a big stone, and upsets, pitching out its occupants to a greater or less distance, according to their respective gravity. But, on such occasions, nobody thinks of himself; the attention of every one is immediately turned to the monk. If he is hurt, the journey is over for the day; they carry him to the nearest house; the horses are put into the stable, and he is put to bed; the women nurse him, make much of him, cry and pray over him. If, on the other hand, the monk is safe and sound, nobody has a right to complain; he resumes his seat, the nurse and the peasant woman resume theirs, the others climb up into their respective places—a crack of the long whip, and a shout from the driver, and the corricolo is off again full speed."
From this we learn what a corricolo is, but we have not yet been told why M. Dumas should christen his book after the degenerate descendant of the Roman curriculum. Patience—we shall get to it in time. Materials crowd upon our traveller, and it is only in the second chapter that the desired explanation is given. In the first we are informed of M. Dumas's installation at the Hotel Vittoria, kept by M. Martin Zill, who, besides being an innkeeper, is a man of much taste in art, a distinguished antiquary, an amateur of pictures, a collector of autographs and curiosities. Apropos of the hotel we have an anecdote of the ex-dey of Algiers, who, on being dispossessed of his dominions by the French, took refuge at Naples, and established himself under M. Zill's hospitable roof. The third floor was entirely occupied by his suite and attendants, the fourth was for himself and his treasures, the fifth, or the garrets, he converted into his harem. The curious arms, costumes, and jewels which Hussein Pacha had brought with him, were a godsend to the virtuoso weary of examining and admiring them; and, before the African had been a week in the house, he and his host were sworn friends. Unfortunately this harmony was not destined to last very long.
"One morning Hussein Pacha's cook (a Nubian as black as ink, and as shining as if he had been polished with a shoe-brush) entered the kitchen of the hotel, and asked for the largest knife they had. The head-cook gave him a sort of carving-knife, some eighteen inches long, sharp as a razor, and pliant as a foil. The negro looked at it, shook his head as if in doubt whether it would do, but nevertheless took it up stairs with him. Presently he brought it down again, and asked for a larger one. The cook opened all his drawers, and at last found a sort of cutlass, which he hardly ever used on account of its enormous size. With this the Nubian appeared more satisfied, and again went up stairs. Five minutes afterwards he came down for the third time, and returned the knife, asking for a bigger one still. The cook's curiosity was excited, and he enquired who wanted the knife, and for what purpose.
"The African told him very coolly that the dey, having left his dominions rather in a hurry, had forgotten to bring an executioner with him, and had consequently ordered his cook to get a large knife and cut off the head of Osmin, chief of the eunuchs, who was convicted of having kept such negligent watch and ward over his highness's seraglio, that some presumptuous Giaour had made a hole in the wall, and established a communication with Zaida, the dey's favourite odalisque. Accordingly Osmin was to be decapitated; and as to the offending lady, the next time the dey took an airing in the bay of Naples, she would be put into the boat in a sack, and consigned to the keeping of the kelpies. Thunderstruck at such summary proceedings, the cook desired his Nubian brother to wait while he went for a larger knife; then hastening to M. Martin Zill, he told him what he had just heard.
"M. Martin Zill ran to the minister of police, and laid the matter before him. His excellency got into his carriage and went to call upon the dey.
He found his highness reclining upon a divan, his back supported by cushions, smoking latakia in a chibouque, while an icoglan scratched the soles of his feet, and two slaves fanned him. The minister made his three salaams; the dey nodded his head.
"'Your highness,' said his excellency, 'I am the minister of police.'