It was not the populace alone that divided itself into these two factions. Accordingly as the palaces of the nobles stood on the one or the other side of the canal, were their owners Castellani or Nicolotti, although their partizanship existed but in jest, and only showed itself in the form of encouragement to their respective parties; whereas with the lower orders the strife, begun in good-humour, not unfrequently turned to bitter earnest, and had dangerous and even fatal results. In the wish, however, to keep up a warlike spirit in the people, and perhaps still more with a view to make them forget, in a temporary and boundless license, the strict subjection in which they were habitually held, the senate was induced to permit the continuance of a diversion, which from the local arrangements of Venice, the narrowness of the streets and bridges, and the depth of the larger canals, was unavoidably dangerous, and almost invariably attended with loss of life.
Hastily dressing himself, Antonio hurried into his gondola in order to proceed to the bridge of San Barnaba, opposite to the church of the same name and to the Foscarini palace, that being the spot appointed for the combat. The canal of the Giudecca was one black mass of gondolas, which rendered even a casual glimpse of the water scarcely obtainable; and it was amidst the cries of the gondoliers and the noise of boats knocking against each other, that the young painter passed the Dogana and reached the grand canal. There the crowd became so dense, that Jacopo, seeing the impossibility of passing, turned aside in time, and making a circuit, entered the Rio de San Trovaso, whence, through innumerable narrow canals, he succeeded in reaching the scene of the approaching conflict.
The combatants were attending mass, and had not yet made their appearance. Wonderfully great, however, was the concourse of spectators already assembled. Since sunrise they had been thronging thither from all sides, eager to secure places which might afford them a good view of the fight. Every roof, gable, and chimney had its occupants; not a projection however small, not a wall however lofty and perilous, but was covered with people, for the most part provided with baskets of provisions, and evidently determined to sit or stand out the whole of the spectacle. In the anxiety to obtain good places, the most extraordinary risks were run, and feats of activity displayed. Here might be seen individuals clambering up perpendicular buildings, by the aid of ledges and projections which appeared far too narrow to afford either grasp or foot-hold; further on, some herculean gondolier or peasant served as base to a sort of human column, composed of five or six men, who, scrambling over each other's shoulders, attained in this manner some seemingly inaccessible position. The seafaring habits of the Venetian populace, who were accustomed from boyhood to climb the masts and rigging of vessels, now stood them in good stead; and notwithstanding all the noise, confusion, and apparent peril, it was very rarely that an accident occurred.
Under the red awnings covering the balconies and flat roofs of the palaces, were seated groups of ladies, whose rich dresses, glittering with the costliest jewels and embroideries, appeared the more magnificent from being contrasted with the black attire of the grave patricians who accompanied them. But perhaps the most striking feature of this striking scene was to be found in the custom of masking, then almost universal in Venice, and the origin of which may be traced in great part to dread of the Inquisition, and of its prying enquiries into the actions and affairs of individuals. Amidst the sea of faces that thronged roofs, windows, balconies, streets, and quays, the minority only were uncovered, and the immense collection of masks, of every form and colour, had something in it peculiarly fantastic and unnatural, conveying an impression that the wearers mimicked human nature rather than belonged to it.
Venice, whose trade and mercantile importance were at this period greatly on the decline, saw nevertheless, on occasions like the present, strangers from the most opposite nations of Europe, and even Asia, mingling peaceably on her canals. Here were Turks in their bright red caftans and turbans; there Armenians in long black robes; and Jews, whose habitually greedy and crafty countenances had for the nonce assumed an expression of eager curiosity and expectation. The mercantile spirit of the Venetians prevented them from extending to individuals the quarrels of states; and although the republic was then at war with Spain, more than one superb hidalgo might be seen, wrapped in his national gravity as in a mantle, and affecting a total disregard of the blunt or hostile observations made within his hearing by sailors of the Venetian navy, or by individuals smarting under the loss of ships and cargoes captured by Spanish galleys.
Scattered here and there amongst the crowd, Antonio's searching eye soon remarked a number of men, to whom, accustomed as he was to analyse the heterogeneous composition of a Venetian mob, he was yet at a loss to assign any distinct class or country. Their sunburnt and strongly marked features were partially hidden by the folds of ample cloaks, in which they kept themselves closely muffled; and it appeared to Antonio, that in their selection of places they were more anxious to escape observation than to obtain a good view of the approaching fight. In the dark patches of shadow thrown by the overhanging balconies, in the recesses of deep and gloomy portals, or peering out from the entrance of some narrow and tortuous alley, these men were grouped, silent, scowling, and alone, and apparently known to none of the surrounding crowd. But suspicious as were the appearance and deportment of the persons in question, Antonio's thoughts were too much engrossed by another and far more interesting subject, to accord them much attention. He nourished the hope of discovering amongst the multitude assembled around him, the mysterious being who had taken so strong a hold on his imagination. Vainly, however, did he scan every balcony and window and strain his eyes to distinguish the faces of the more distant of the assembled dames. More than once the flutter of a white robe, or a momentarily fancied resemblance of figure, made his heart beat high with expectation, until a second glance destroyed his hopes; and the turning of a head or drawing aside of a veil disclosed the blooming features of some youthful beauty, to which, in his then state of mind, the wrinkled and unearthly visage of the incognita would have been infinitely preferable.
While the young painter was thus fluctuating between hope and disappointment, several lads with naked arms, or but slightly encumbered with clothing, were giving the spectators a foretaste of the approaching conflict; and, encouraged by the applause which was liberally vouchsafed them, making violent efforts to drive one another off the bridge. At times the spirit of partizanship would induce some of the bystanders to come to the aid of those who seemed likely to be defeated—an interference that was repressed by the ædiles stationed at either end of the bridge, who did their utmost to enforce the laws of this popular tournament. Notwithstanding their efforts, however, the mostra or duello between two persons, by which the combat should begin, was often converted into the frotta or mêlée, in which all pressed forward without order. The first advantage was held to be—for one of the combatants to draw blood, if it were only a single drop, from the nose or mouth of his opponent. Loud applause rewarded the skill and vigour of him who succeeded in throwing his adversary into the canal; but the clamour became deafening when a champion was found who maintained his station in the centre of the bridge, without any of the opposite party venturing to attack him. This feat won the highest honour that could be obtained; and he who achieved it retired from his post amid the waving of scarfs and handkerchiefs, and the enthusiastic cheers of the gratified spectators.
At length the bell of the Campanile announced that mass was over, and presently, out of two opposite streets that had been purposely kept clear, the combatants emerged, pressing forward in eager haste towards the bridge; their arms naked to the shoulders, their breasts protected by leathern doublets, and their heads by closely fitting caps—their dress altogether as light as possible, and well adapted to the struggle in which they were about to engage. The loud hum of the multitude was hushed on their appearance, and the deepest silence reigned while the ædiles marshaled them to their respective places, on which they planted themselves in threatening attitudes, their broad and muscular chests expanded, their fists clenched, their feet seeming to grasp the ground on which they stood.
A loud flourish of trumpets gave the signal of the onset, and with inconceivable impetuosity the two parties threw themselves on each other. In spite, however, of the fury and violence of the shock, neither side yielded an inch of ground. The bridge was completely filled with men from end to end, and from side to side; there was no parapet or barrier of any kind to prevent the combatants from pushing one another into the canal; yet so equally balanced was the strength of the two parties, that after nearly half an hour's struggle very few men had been thrown from the bridge, and not the smallest advantage had been obtained either by Castellani or Nicolotti. Those in the rear, who had as yet done nothing but push the others forward, now came to the front, and the combat was renewed with fresh vigour, but for a long time without any result. Again and again were the combatants changed; but it was past noon before Antonio, whose thoughts had been gradually diverted from the incognita by the struggle that was going on, perceived symptoms of weariness amongst those indefatigable athletes. Here and there a knee was seen to bend, or a muscular form to sink, under some well-directed blow, or before a sudden rush of the opposite party. First one, then another of the combatants was hurled from the bridge into the canal, an immersion that, dripping with perspiration as they were, not unfrequently caused death or severe illness. Nevertheless the fury of the fight seemed rather to increase than diminish. So long as only a man here and there fell into the water, they were dragged out by their friends; and the spectators even seemed to feel pity and sympathy for the unfortunates, as they saw them carried along, some covered with blood, others paralysed by the sudden cold, with faces pale as death and limbs stiff and rigid. But as the fury and violence of the combatants augmented, the bystanders forgot every other feeling in the excitement of the fight, about the result of which they seemed as anxious as those who were actively engaged in it. Even women might be seen encouraging those who were driven back, and urging them once more to the charge; applauding and cheering them on when they advanced, and assailing those who hung back with vehement reproaches. The uproar and shouting, shrieks and yells, exceeded any thing that could be imagined. The partizans had got completely mixed together; and, instead of the struggle being confined to the foremost ranks of the contending parties, the whole bridge was now one coil of raging combatants. Men fell into the canal by scores, but no one thought of rendering them any assistance. Their places were immediately filled up, and the fight lost none of its fury from their absence.
Evening was now approaching, and the combat was more violent than it had yet been, or than it had for years been known to be, when Antonio saw the cloaked and mysterious individuals who had already attracted his attention, emerge from their lurking-places, and disappear in different directions. Presently he thought he observed some of them on the bridge mingling with the combatants, whose blind rage prevented them from noticing the intrusion. Wherever they passed, there did the fight augment in obstinacy and fury. Suddenly there was a violent rush upon the bridge, a frightful outcry, and a clash of steel. At the same moment the blades of several swords and daggers were seen crossed and glittering upon the bridge, without its being possible for any one to divine whence the weapons came. The spectators, seized with a panic fear, fled in every direction, and sprang in crowds from the quays to seek shelter under the awnings of the gondolas covering the canal. In vain did the gondoliers resist the intrusion of the fugitives: all considerations of rank and property were lost sight of in the terror of the moment, and some of the boats sank under the weight of the multitudes that poured into them. In their haste to get away, the gondolas impeded each other, and became wedged together in the canal; and amidst the screams of the ladies and angry exclamations of the men, the gondoliers laid down their oars and began to dispute the precedence with blows. Meanwhile the people on the roofs of the houses, believing themselves in safety, espoused different sides, and threw stones and bricks at each other, and at those standing below. In an incredibly short time houses were entirely unroofed, and a perfect storm of tiles rained upon the quays and streets. Those who had first fled, when they attained what appeared a safe distance, halted to look on, and thus prevented others from getting away. Antonio was amongst the number whose escape was thus impeded. His gondolier lay at the bottom of the boat, stunned by a blow from a stone; he himself was bruised and wounded by the missiles that fell in all directions.