All this was done with such hurried action, that I had scarcely time to know what my own emotions were; but the relief from immediate death, or rather from those depressing and overwhelming sensations which perhaps make its worst bitterness, was something, and hope dawned in me once more. Still, it was wholly in vain that I attempted to make my man of mystery utter a word. Nothing could extort a syllable from him, and he was evidently unwilling that I should even see his face, imperfect as the chance was among the few lamps which Paris then exhibited to enlighten the dismal darkness of her thoroughfares. Yet the idea that my rescue was not without a purpose predominated; and I was beginning even to imagine that I already felt the fresh air of the fields, and that our journey would terminate outside the walls of Paris, when the carriage came to a full stop, and, by the light of a torch streaming on the wind in front, I saw the gate of the St Lazare. All was now over—resistance or escape was equally beyond me. The carriage was surrounded by the guard, who ordered me to descend; their officer received the rescript for my safe custody, and I had nothing before me but the dungeon. But at the moment when my foot was on the step of the vehicle, my companion stooped forward, and uttered in my ear, with a pressure of my hand, the word "Mordecai." I was hurried onward, and the carriage drove away.

My surprise was excessive. This talismanic word changes the current of my thoughts at once. It had so often and so powerfully operated in my favour, that I could scarcely doubt its effect once more; yet before me were the stern realities of confinement. What spell was equal to those stonewalls, what dexterity of man or friendship, or even the stronger love of woman, could make my dungeon free, or my chains vanish into "thin air?" Still there had been a interposition, and to that interposition, whether for future good or ill, it certainly was due that I was not already mounting the scaffold, or flung, headless trunk, into the miserable and nameless grave.

As I passed again through the cloisters, my ears were caught with the sound of music and dancing. The contrast was sufficiently strong to the scene from which I had just returned; yet this was the land of contrasts. To my look of surprise, the turnkey who attended me answered "Perhaps you have forgotten that this is Decadi, and on this night we always have our masquerade. If you have not got a dress, I shall supply you; my wife is a fripier in the Antoine; she supplies all the civic fêtes with costumes, and you may have any dress you like, from a grand signor with his turban, down to a colporteur with his pack, or a watchman with his nightcap."

My mind was still too unsettled to enjoy masquerading, notwithstanding the temptation of the turnkey's wardrobe; and I felt all that absence of accommodation to circumstances, that want of plasticity, that failure of grasping at every hair's-breadth of enjoyment, which is declared by foreigners to form the prodigious deficiency of John Bull. If I could have taken refuge, for that night at least, in the saddest cell of the old convent, or in the deepest dungeon of the new prison, I should have gone to either with indulgence. I longed to lay down my aching brains upon my pillow, and forget the fever of the time. But prisoners have no choice; and the turnkey, after repeating his recommendations that I should not commit an act of such profound offence as to appear in the assembly without a domino, if I should take nothing else from the store of the most popular marchande in Paris, the wife of his bosom, at last, with a shake of his head and a bending of his heavy brows at my want of taste, unlocked the gate, and thrust me into the midst of my old quarters, the chapel.

There a new scene indeed awaited me. The place which I had left filled with trembling clusters of people, whole families clinging to each other in terror, loud or mute, but all in the deepest dread of their next summons, I found in a state of the most extravagant festivity—the chapel lighted up from floor to root—bouquets planted wherever it was possible to fix an artificial flower—gaudy wreaths depending from the galleries—and all the genius of this country of extremes lavished on attempts at decoration. Rude as the materials were, they produced at first sight a remarkably striking effect. More striking still was the spectacle of the whole multitude in every grotesque dress of the world, dancing away as if life was but one festival.

As I stood aloof for a while, wholly dazzled by the glare, the movement, and the multitude, I was recognised by some of my "old" acquaintance—the acquaintance of twenty-four hours—but here time, like every thing else, had changed its meaning, and a new influx had recruited the hall. Cassini and some others came forward and welcomed me, like one who had returned from the tomb—the news of the day was given and exchanged—a bottle of champagne was prescribed as the true medicine for my lowness of pulse—and I gradually gave myself up to the spirit of the hour.

As I wandered through the crowd, a mask dressed as a sylph bent its head over my shoulder, and I heard the words, "Why are you not in a domino?" I made some careless answer. "Go and get one immediately," was the reply. "Take this card, fasten it on your robe, and meet me here again." The mask put a card marked with a large rose into my hand, and was gone waltzing away among the crowd. I still lingered, leaning against one of the pillars of the aisle. The mask again approached me. "Monsieur Anglais," was the whisper, "you do not know your friends. Go and furnish yourself with a domino. It is essential to your safety." "Who are my friends, and why do you give me this advice?" was my enquiry. The mask lightly tripped round me, laid its ungloved hand on mine, as if in the mere sport of the dance; and I saw that it was the hand of a female from its whiteness and delicacy. I was now more perplexed than ever. As the form floated round me with the lightness of a zephyr, it whispered the word "Mordecai," and flew off into an eddy of the moving multitude. I now obeyed the command; went to the little shrine where the turnkey's wife had opened her friperie, and equipped myself with the dress appointed; and, with the card fixed upon my bosom, returned to take my station beside the pillar. But no sylph came again; no form rivaled the zephyr before me. I listened for that soft, low voice; but listened in vain. Yet what was all this but the common sport of a masquerade?

However, an object soon drew the general attention so strongly, as to put an end to private curiosity for the time. This was a mask in the uniform of a national guard, but so outrageously fine that his entrée excited an universal burst of laughter. But when, after a few displays of what was apparently all but intoxication, he began a detail of his own exploits, it was evident that the whole was a daring caricature; and as nothing could be less popular among us than the heroes of the shops, the Colonels Calicot, and Mustaches au comptoir, all his burlesque told incomparably. The old officers among us, the Vendéans, and all the ladies—for the sex are aristocrats under every government and in every region of the globe—were especially delighted. "Alexandre Jules Cæsar," colonel of the "brave battalion of the Marais," was evidently worth a dozen field-marshals in his own opinion; and his contempt for Vendôme, Marlborough, and Frederick le Grand, was only less piquant than the perfect imitation and keen burlesque of Santerre, Henriot, and our municipal warriors. At length when his plaudits and popularity were at their height, he proposed a general toast to the "young heroism," of the capital, and prefaced it by a song, in great repute in the old French service.

"AVANCEZ, BRAVE GUERRIERS."

"Shoulder arms—brave regiment!