How long I may have remained in that state I am unable to say. It was night when consciousness returned, and the moon was shedding its cold, clear light through the high Gothic windows. I felt heated and excited; all manner of strange fancies passed through my head, the predominant one being to go at once and wander about the world, till I should discover the fiend to whom the misery I now suffered was attributable. Before doing so, however, I must see my Natalie once more. I stepped up to the coffin. Natalie lay there in her nun's garments, a crucifix upon her breast, and a veil surrounding her face, which, to my inexpressible astonishment and horror, I now saw was covered with a mask.

I was at first unable to explain this singular circumstance, but then it occurred to me that her lovely features had been said to be much distorted in death, and doubtless her friends had taken this means of concealing them from the gaze of vulgar curiosity. I would see her though, I thought; I would kiss those lips, once so warm and love-breathing, now so pale and chilled. The better if, in her death-like embrace, I found an end to my life and suffering. I stretched out my hand to detach the mask, which was by no means unpleasing in its appearance. It reminded me of the one spoken of by my father in one of his letters; and as I stood looking at it, I little by little persuaded myself it must be the same. The lips curved into a mournful smile, an attractive expression on the features; only the sockets for the eyes were empty, and through them shone the glazed orbs of the departed.

Whilst given up to these reflections, I suddenly heard a slight rustling noise near me. I looked round, and saw a muffled figure sitting at a short distance off, in which I thought I recognized some old nun keeping her drowsy vigil by the dead. I took no heed of her, but stretched out my hand to tear the mask from Natalie's face, when suddenly the figure rose, and with three long, noiseless strides, stood close beside me. The robe in which it was muffled opened, and I beheld—Manucci! not the Manucci I had seen at the faro-table, nor yet he who had lived for years near my mother's house, but the grey old man who had appeared to me on the night of my father's arrival, and had said, "Do I look like a murderer?"

"Thou here, villain!" I exclaimed, on beholding this unexpected apparition. "The hand of heaven is in this!"

I stretched forth my arm to seize the murderer, who thus braved me beside the corpse of his last victim; but as I did so I experienced a strange stunning sensation, and fell, as though struck by a thunderbolt, lifeless to the ground. The first persons who entered the church upon the following morning found me in this state, and carried me to the nearest house, where I lay for weeks in a raging fever, during which time Natalie was buried, and the flowers that sprang up on her grave were withered by the frosts and snows of winter. When I at last became convalescent, and re-appeared amongst men, Natalie was forgotten; and the strange circumstances that had occurred to me in the church would have obtained no credence, or at most would have been considered as the precursors of fever, the visions resulting from a heated imagination and exhausted frame. Indeed my memory was in so confused a state, and the weeks I had passed in the unconsciousness of delirium, caused every thing that had previously happened to appear so remote and indistinct, that I was myself almost unable to give any clear and definite form to the occurrences that preceded my illness. My health was greatly shaken, and I was no longer equal to any occupation that required sustained exertion and application. I resigned my commission, therefore, and formed a plan to divide my life amongst the various large cities of Europe, changing from time to time, and constantly endeavouring to seize again the thread that had escaped me, and if possible to discover and unmask the vile impostor who had destroyed my life's happiness. I may, perhaps, some day write down the various and strange adventures that I have met with during these researches, and in my wandering course of life. In this portfolio, however, I will put nothing but what relates to any further discoveries I may make concerning the base Italian and his machinations.

Here Adrian's manuscript ended; but between the two following blank leaves I found a letter dated from St Petersburg, written in a different hand, and that seemed to form a sort of appendix or continuation to the preceding narrative. This letter, from the different dates scattered through it, appeared to have been continued from time to time, several weeks elapsing between its commencement and the period at which it was sent off. The envelope was wanting, and there was no address; but, from its contents, it appeared that it had not been written to Adrian, but to a friend of his who had handed it to him. At the end came a dozen lines in Adrian's handwriting, leaving off somewhat abruptly. Here follows the letter:—

St Petersburg, 12th June.

My dear Augustus,—Of all the wealthy and distinguished foreigners whom this gay season has brought together in St Petersburg, not any attract so much attention as the Marchese d'Emiliano and his daughter. The father is as remarkable for his learning and talents as the daughter is for her innumerable graces and accomplishments, which draw all eyes upon her. She has only one extraordinary peculiarity, which is—but stay, I will first describe her to you, so that this singularity, when I tell you of it, may appear the more striking. Picture to yourself a brunette, slender and perfectly formed, possessing the exact and beautiful proportions of a Grecian statue—a foot smaller and better shaped than I ever yet beheld—an exquisite hand, slender and tapering, not one of those short fleshy hands with dimpled fingers, which it is now the fashion to admire, but for which no precedent is to be found in the Medicean goddess or in any other standard of beauty. A magnificent bust, an arm like alabaster, a profusion of dark flowing hair, grace in every movement. But—now comes the wonder, my friend—instead of a face corresponding in beauty with this perfect form, there is—a mask. Can you imagine a greater absurdity? and yet they are people who, in every other respect, show extreme good taste.

From the lips of this mask proceeds a voice which, for melody and sweetness, I have never heard equaled. In speaking, its tones are of silver, but when she sings one forgets mask and every thing else to give one's-self up to an ecstacy of perfect enjoyment. She knows a vast deal of Italian, French, and Spanish music, languages that she speaks with the utmost purity, and she accompanies herself alternately on piano, guitar, or mandoline, of which instruments she is a perfect mistress. Her dancing is no less admirable than her singing; and, at every ball to which she goes, crowds collect around her to watch the sylph-like grace with which she glides through the dance. In short, she unites every womanly accomplishment, and yet this heavenly creature persists in concealing her face under that vile mask, which fits so closely that not the smallest portion of her countenance can be perceived. However hideous the latter may be, it would be preferable to this horrid covering. Not that the mask is ugly; on the contrary, it is the handsomest I ever saw, and in itself has nothing disagreeable. It is formed of wax, and has a mournful expression which is quite attractive, at least when its owner sits still; but when she moves or speaks, the dead look of the mask has an indescribably unpleasant effect. Several persons have indirectly questioned the Marchese on this subject, but he evades or turns off their enquiries with all the tact of a consummate man of the world. Of course it would be indelicate, if not unfeeling, to ask her about it. Meantime the public amuses itself with all sorts of absurd suppositions. First it is a vow; then she has got a pig's face; then her waiting-maid had said that she had once caught her unmasked, and that her face was covered with feathers and had a beak in the middle of it. Then, again, it is a stratagem, to try the man whom she shall marry, and to see if he will love her for something besides her appearance, and on her wedding-day she will take off the mask and disclose features of perfect beauty. All this is of course mere gossip; for nobody knows any thing about these Italians, except that the Marchese is enormously rich, and that his daughter, in spite of her mask, is the most amiable and fascinating of women. Amongst other absurdities, a report was spread that the marquis was no other than the celebrated St Germains, who, as is well known, was himself no other than the Wandering Jew. It is ridiculous to hear the extraordinary things they tell of him. Only the other day it was asserted that he had been met in a distant country, where he passed under another name, and was remarkable for his constant and almost suspicious success in gambling. I should be very curious to trace all these reports to their source. Their inventors can at least have no lack of imagination. The fact is, that there is unquestionably something strange and mysterious about the old man—but what does it amount to after all? He is an old Italian marquis, his foreign manners and appearance, and imposing title, work upon the imagination of us northerns, and at once make us suspect an adventurer in this worthy old nobleman. The mere presence of Natalie (that is his daughter's name) is sufficient to refute such a suspicion. She is the incarnation of all that is pure and beautiful; and I confess to you, my friend, that I am each day becoming more and more the slave of her attractions. If in society she exhibits her varied accomplishments, on the other hand, when we are alone, she is the simple and unsophisticated girl. During our tête-à-têtes, however, it has not escaped me that she is frequently melancholy; a something seems at times to weigh upon her spirits; and, although she evidently struggles to hide this, she has been unable to conceal it from my close and interested observation. Yes, my friend, interested, for deeply interested I am in all that concerns Natalie; and, I own to you, that in spite of her mask, in spite of the mystery that surrounds her, nothing would make me so happy as to call her mine.