On the day appointed for the marriage of Natalie d'Emiliano and the young Swedish count, Paul S——, when all were in readiness to proceed to the church, and the guests were only waiting the appearance of the bride and bridegroom, a piercing cry was suddenly heard in a room adjoining that in which the bridal party was assembled. The company hurried, in the direction of the sound, and there found the Count lying apparently lifeless on the floor, while the bride was hastily securing the fastenings of her mask. The guests thronged round the former, and tried every means of recovering him from the death-like swoon into which he had fallen. After much trouble they were successful. The Marchese and Natalie were then sought for, but both had disappeared; and neither of them were ever afterwards seen or heard of in St Petersburg. The bridegroom could never be induced to tell what it was that the mask concealed.
TRADITIONS AND TALES OF UPPER LUSATIA.
No. IV.
The Moor Maiden.
"Wildernesses and heaths are not the only spots that boast of their Fata Morgana," said Woldemar, in a society of torch-bearers which regularly assembled in the old castle on Christmas night.
"The vision appears in a hundred places, in shapes answering to the peculiarity of soil and country in which she rises. Here she is an apparition of the air, beaming with splendour; there she unfolds herself in glittering mist. On the unbounded plain, you behold her in the form of an enchanted city—a paradise of leafy loveliness, or it may be simply as a fantastic Erl-King, a giddy dazzling vapour. Let her appear, however, where and how she will, she is ever seductive, mysterious, and beautiful, and attended with the awe of a strange nameless delight.
"You know the high table-land, strewed with countless blocks of granite, between C—— and K——. Inclosed upon two sides by mountains and thick groves of beech, it would be a perfect desert but for the clear crystal brook which purls its way along the glistening stones. This labyrinthine brook, indeed, fills the barren spot with animation, whilst it creates too that singular power of attraction which we cannot explain to ourselves, but which, nevertheless, becomes our unfailing companion in regions with which the heart of the people has intimately associated itself by tales of wonder and tradition.
"The Tradition touching this very table-land is dim and shapeless, like the thick mist of a sultry summer's day, hanging over hill and valley. It is most convenient to the common working mind to retain and hold fast in a history only so much as is needful for the great catastrophe. The people are content to abide by the beginning and end of things, not concerning themselves with the important connecting links. All that lies between is left to the imagination of the more inquisitive to fill up. A tradition of this order occurs to me this moment, and, by your leave, I will do my best to complete it:—