"'If I am not yet a mousquetaire,' said he to his new friends, as they crossed the threshold of the Hotel Treville, 'I may at least say that I am received apprentice.'"
The result of this affair is to procure D'Artagnan the favour of Monsieur de Treville and the King—the latter of whom dislikes the Cardinal in secret nearly as much as he fears him. The young Gascon has an audience of Louis the Just, who recruits his finances by the present of a handful of pistoles; and a few days later he is appointed to a cadetship in the company of guards of the Chevalier des Essarts, a brother-in-law of Treville. According to the singular ideas of those days, there was nothing degrading to a gentleman in receiving money from the king's hand. D'Artagnan, therefore, pockets the pistoles with many thanks, and takes an early opportunity of dividing them with his friends with the mythological names, Messieurs Athos, Porthos, and Aramis, who, according to the custom of mousquetaires, have more gold upon their coats than in their purses. The courage and good qualities of the Gascon have won the hearts of the three guardsmen, and he is admitted to make a fourth in their brotherhood, of which the motto is, "Un pour tous, et tous pour un." All is in common amongst them—pleasures, perils, pistoles.
The characters of the three mousquetaires are well sketched and sustained, and illustrate admirably the vices, virtues, and propensities of their time and station. Aramis, who was originally intended for the church, has relinquished the black coat of an abbé in order to fight a nobleman who had insulted him. He still, however, persists in considering himself as a guardsman only pro tempore; and whenever fortune or his mistress frowns upon him, he declares his intention of abandoning his sinful mode of life, and throwing himself into the arms of mother church. Vanity is the failing of Porthos, who shines more by his imposing appearance, brilliant attire, and bull-dog courage, than by any qualities of the head. To Athos, who is the most interesting of the three, a certain mystery is attached, which, however, is seen through early in the book. He is a man of high birth, princely manners, and chivalrous feeling, but whose stormy life has cast a strong tinge of melancholy over his character, and who now finds his sole consolation in the wine-cup. It must not be therefore supposed that Athos is a sot, a wallower in wine, or a haunter of tavern orgies. He drinks, it is true, enough to prostrate any three ordinary men; but he takes his liquor, as he does every thing else, so much like a gentleman, and, moreover, there is so much self-devotion and generosity in his character, such dignity of manner and rectitude of feeling—his temper so even and kindly—his courage so heroic—that he is unquestionably the most amiable and interesting of the dramatis personæ, preferable to D'Artagnan, to whom premature worldly wisdom gives a hardness bordering upon egotism. While Aramis is sighing sonnets to his mistress, and Porthos parading on the crown of the causeway in all the glory of gold lace and embroidery, Athos sits tranquilly at home, and says, like Gregory in the Deserter—
"J'aime mieux boire."
His real name—for Athos, Porthos, and Aramis are merely assumed ones—is known only to the King and to Monsieur de Treville.
It would be difficult within the limits of this paper to give an idea of the entire plot of the Three Mousquetaires, which is, in fact, less a tale with a regular intrigue and dénouement, than a narrative of adventures and incidents, extending over a period of nearly three years. D'Artagnan, whose enterprising character and Gascon acuteness qualify him admirably to take a part in the court intrigues of the time, soon finds himself almost at open war with the Cardinal, and engaged in serving the interests of Louis the Thirteenth's unhappy queen, Anne of Austria, who, by rejecting the suit of the scarlet duke—as the mousquetaires irreverently style the Cardinal Duke of Richelieu—has drawn upon herself the deadly hatred of that omnipotent personage. The Duke of Buckingham, who is madly in love with the queen, visits Paris in disguise, and obtains an interview with her. At parting, he implores her to give him some trifle, which he may preserve as a souvenir of their attachment; and Anne of Austria gives him the first thing that comes to hand, which happens to be a jewel-case, containing twelve diamond clasps or ferrets that she has lately received from the King. The Cardinal, omnipresent by his spies, learns this; manages adroitly to rouse the king's jealousy; and prevails on him to give a ball, at which the queen is desired to appear, wearing the ferrets in question. Anne of Austria is in despair. To obtain the restitution of the jewels within the eight days that have to elapse before the one fixed for the ball, appears impossible. Buckingham is in England; if she writes, her letter will be intercepted by the Cardinal; if she sends, her messenger will be stopped. Nothing could at that time be done in France without coming to the knowledge of Richelieu. In her extremity she is induced to confide in one of her attendants, with whom D'Artagnan is in love; and a few hours later, the intrepid Gascon and his three inseparable friends set out for England, provided with a leave of absence from Monsieur de Treville, and attended by their four lackeys. D'Artagnan alone knows the object of their journey; but the others, confiding implicitly in his judgment, and bound, moreover, by the rules of their association, ask no questions, and willingly brave the dangers that the Cardinal strews in their path. It is agreed that, in case of rencontres by the way, the dead or wounded are to be left to their fate, and the others are to push on without an instant's delay. Should D'Artagnan fall, the survivors are to take from his pocket the queen's letter to Buckingham, and continue their route.
The adventurers are not allowed to proceed far without molestation. They stop to breakfast, and a stranger picks a quarrel with Porthos, who stays behind to fight him, and does not rejoin them. Near Beauvais they receive a volley from some pretended labourers; D'Artagnan's hat is knocked off by a ball; a lackey is left in the road, and Aramis is badly wounded, and obliged to remain at the next town. D'Artagnan, Athos, and their two attendants, reach Amiens at midnight, and stop to sleep at the sign of the Golden Lily. Here various suspicious incidents occur, and in the morning their horses are found to be dead-lame, and unable to proceed. One that might still have gone on has been bled by mistake.
"All these accidents succeeding each other began to alarm our travellers; they might be the result of chance, but they were more probably that of an organized plot. Athos and D'Artagnan left their room, while Planchet (D'Artagnan's groom) went to enquire whether there were any horses to be bought in the neighbourhood. At the door were standing two vigorous animals, saddled and bridled, and which would have suited the guardsmen well. Planchet asked to whom they belonged, and was told that their masters had passed the night at the inn, and were then paying their score previous to departure. Athos went to do the same, while D'Artagnan and Planchet remained at the street door.
"The host was in a small back room, which Athos was requested to enter. He did so without suspicion, and took out some pistoles to pay. The innkeeper, who was seated at a desk, of which one of the drawers was half-open, took the money, turned it about, and examined it on all sides, and suddenly exclaiming that it was false, declared that he would have Athos and his companion arrested as coiners.
"'Scoundrel!' cried Athos, advancing towards him; 'I will cut your ears off for your insolence.'