The principal personage of this group—a woman between fifty and sixty years of age—lay back on a large wooden chair, her eyes fixed on vacancy. Her dress was of simple dark stuff, very full upon the sleeves and below the waist, and relieved by a small white standing collar; a dark coif, of the fashion of the period, covered the grizzled hair, which was drawn back from the forehead and temples, leaving fully exposed a face, the rude features and heavy eyebrows of which gave it a stern character. But in spite of this severity of aspect, there naturally lurked an expression of goodness about the mouth and eyes, which spoke of a kindliness of disposition and tenderness of heart, combined with firmness and almost obstinacy of character. Those eyes, however, were now vacant and haggard in expression; and that mouth was contracted as if by some painful thought.
By her side, upon a low stool, was seated a fair girl, whose attire was as plain as that of the more aged woman; but that lovely form needed no aids of the toilet to enhance its beauty. The fair brown hair brushed off from the white brow, in the graceless mode of the day, hid nothing of a face which had all the purity of some beautiful Madonna; although the cheek was pale, and the lines of the physiognomy were already more sharpened than is usual at years so young. Her head, however, was now bent down over a large book which lay upon her knees, and from which she appeared to have been reading aloud to the elder woman; and, as she sat, a tear dropped into its pages, which she hastily brushed away with her fair hand.
The third person, who completed the group, was a young man scarcely beyond the years of boyhood. His good-looking round face was bronzed and ruddy with fresh colour, and his dark eyes and full mouth were expressive of natural gaiety and vivacity. But he, too, sat leaning his elbows upon his knees, and gazing intently, and with a look of anxiety, upon the fair girl before him; until, as he saw the tear fall from her eye, he turned impatiently upon his stool, and proceeded to polish, with an animation which was not that of industry, the barrel of a gun which lay between his knees.
The room which formed the groundwork to the picture composed of these three personages, was dark and gloomy, as was generally the interior of the houses of the time; a large wardrobe of black carved wood filled a great space of one of the walls; presses and chests of the same dark and heavy workmanship occupied considerable portions of the rest of the room. The low casement window, left open to admit the air of a bright May evening, looked out upon the course of the rapid Seine, and gave a cheering relief to the dark scene. The hazy rays from the setting sun streamed into the room; and from below rose up the sound of the rushing waters, and the wheels of the mills, mixed with occasional cries of men upon the river, and the more distant murmur of the city. The scene was one of calmness; and yet the calmness of those within that room was not the calmness of repose and peace.
It was the youth who first spoke.
"Jocelyne," he said in a low tone, approaching his stool nearer to that of the fair girl, and then continuing to polish his gun-barrel without looking her in the face—"if you knew how it grieves me to see you thus! You sit and droop like a bird upon the wintry branch, when I would fain see you lift your head and chirp, as in days gone by, now that summer begins to gladden around us."
The maiden thus addressed looked at him with a languid smile, and then faintly shook her head.
"How would you have me gay, Alayn," she said softly, "when our grandmother continues thus?"
Alayn made a gesture of doubt, as if he would have said, that solicitude for her grandmother was not the only cause of Jocelyne's sadness; but he made no observation to that effect, and, nodding his head towards the older woman, asked in a low tone—
"How is Dame Perrotte to-day? She did not answer my greeting on my entrance; and during your reading from that forbidden book of Scripture, she has uttered not a word."