"I have painful intelligence for you, Señora," said she. "The Count, your father"—
"He is wounded; I know it," interrupted Rita. "Is he worse? Oh, let me see him!—This instant see him!"
"It is impossible," said the abbess. "The bullet that struck him was too surely aimed. Your father is dead!"
For an instant Rita gazed at the speaker as though unable fully to comprehend the terrible announcement, and then, with one shriek of heartfelt agony, she sank senseless to the ground.
The shrill and thrilling scream uttered by the bereaved daughter, rang through the chambers and corridors of the convent, and reached the ears of Paco, who had remained in the court, waiting with some impatience for the return of the gipsy, and for intelligence concerning the health of the Count. Abandoning his horse, he rushed instinctively to the door by which Rita had entered the building. It was closed, but not fastened, and passing through it he found himself in a long corridor, traversed by two shorter ones, and at whose extremity, through a grated window, was visible the foliage of the forest surrounding that side of the convent. Not a living creature was to be seen; and Paco paused, uncertain in what direction to proceed. He listened for a repetition of the cry, but none came. Suddenly a door, close to which he stood, was opened, and before he could turn his head to ascertain by whom, he was seized from behind, and thrown violently upon the paved floor of the corridor. The attack had been so vigorous and unexpected, that Paco had no time for resistance before he found himself stretched upon his back; but then he struggled furiously against his assailants, who were no others than Don Baltasar and the gipsy. So violent were his efforts, that he got the gipsy under him, and was on the point of regaining his feet, when Colonel Villabuena drew a pistol from the breast of his coat, and with its but-end dealt him a severe blow on the head. The unlucky muleteer again fell stunned upon the ground. In another minute his hands were tightly bound, and Don Baltasar and his companion carried him swiftly down one of the transversal corridors. Descending a flight of stone steps, the two men with their burthen entered a range of subterranean cloisters, at whose extremity was a low and massive door, which Don Baltasar opened, and they entered a narrow cell, having a straw pallet and earthen water-jug for sole furniture. Close to the roof of this dismal dungeon was an aperture in the wall, through which a strong iron grating, and the rank grass that grew close up to it, allowed but a faint glimmer of daylight to enter. Placing their prisoner upon the straw bed, Don Baltasar and Jaime took away his sabre and the large knife habitually carried by Spaniards of his class. They then unbound his hands, and, carefully securing the door behind them, left him to the gloom and solitude of his dungeon.
SOMETHING MORE ABOUT MUSIC.
We mused on music some while ago; and as the subject still haunts us—very much after the manner of an obstinate ghost that refuses to be laid, even by the choicest Latin—we are strongly disposed to try the effect of giving it full swing for once; and in idle mood, too idle to oppose ourselves to its tyranny, letting it carry us whither it will, in the hope that, in return for our complacence, it may in future suffer us to conduct our meditations according to our own pleasure, and give that sad and serious thought, which their merits demand, to the gravities of this life—to corn-laws and poor-laws, (of all sorts!) and the Irish question, and the debates to which all these give occasion, in reading which we have already worn out we know not how many pairs of spectacles, and one pair of excellent eyes; and last, not least, to the marchings and counter-marchings of the House of Commons, in which we are deeply interested.
With such a course of study before us, we are disposed to make the most of our holiday; and should we chance to be a little too frisky, it must be borne in mind that retribution is at hand, and that we shall speedily become as solemn as ever a fool in the land, as dull as an owl bathing its eyes in the morning sunshine, which—having overslept itself—it takes for the full moon, and dismal enough to satisfy the most ardent advocate of the religious duty of being miserable,—eschewing laughter as we would the tax-gatherer, and refreshing our oppressed spirits alone with serious jokes, and such merriment as may be presented to us under the sanction and recommendation of a college of dissenting divines!
But our harp will be a mingled one, for so is our theme; having a sympathy alike for our mirthful and sorrowful moments, which it alike spiritualizes; striking the light, gleesome chord to the one, and attuning the soul to more ethereal joy; while by its soft influence it tones down the harshness of bitter, unavailing sorrow, and woos the heart, misanthropizing under the pangs of grief or unrequited love—pent up in its own solitude, unpitied and uncared for—and filled with dark thoughts, and sad sounds, and tones of plaintive winds, sighing through the cypress and doleful yew with mournful melody around the resting-place of the loved and lost, to submissive lamentings, and slow stealing tears that assuage its aching anguish and tranquillize the spirit, leading it to the hope of a brighter future, in whose dawning beams it will, ere-long, show like "the tender grass, clear-shining after rain"—more glistening and beautiful for the invigorating dews of the cloud which had overhung it, and beneath whose gloom its beauty faded away—for very trouble!