"Hear, Heav'n! yē ăngĕls hear!"
which is no better. Perhaps the worst of Southey's lines in this way is this—
"Flōw'd thĕ lĭght ūncrēātĕd; lĭght all sufficing, eternal."
And as examples of weak syllables harshly made strong, take these—
"Fabius, Ātrides, and Solon and Epamininondas."
N.N.T. has some examples of this. As a slight one, I notice at the end of a line, hārvĕstlĕss ocean. And these, which are spoiled by the violation of emphasis:—
"Trūly Ĭ came not, for one, out of hate for the spearmen of Troja."
Here we have an emphatic I and an emphatic them which are made short in the rhythm.
N.N.T. has one dactyl which I can hardly suppose was intended—
"Under his chāstĭsĭng hand."