At the beginning of this parliament, rejected by Westminster, and countenanced nowhere, he bought what Walpole pleasantly calls, the loss of an election at Weobly, for which place, however, on a petition, Fox procured his return to parliament, and immediately had the satisfaction to find him declare against the court. At the Westminster election, his indefatigability against the ministerial favourite came amply into play. All the morning he passed at the hustings, then came to the House, where he was a principal actor, and the rest of the day he spent at hazard, not to mention the hours spent in collecting materials for his speeches, or in furnishing them to his weekly mercenaries.
We then have a touch of the pencil at Lord Nugent.
"This Irishman's style was florid bombast; his impudence as great as if he had been honest. He affected unbounded good-humour, and it was unbounded, but by much secret malice, which sometimes broke out into boisterous railing, but oftener vented itself in still-born satires. Nugent's attachments were to Lord Granville; but all his flattery was addressed to Mr. Pelham, whom he mimicked in candour, as he often resembled Granville in ranting. Nugent had lost the reputation of a great poet, by writing works of his own, after he had acquired fame by an ode that was the joint production of several others."
Walpole certainly had an aversion to the wits of his day, with the exception of George Selwyn; on whom he lavished a double portion of the panegyric that he deserved, as a sort of compensation for his petulance to others. His next portrait was Lord Chesterfield, the observed of all observers, "the glass of fashion, and the mould of form," a man of talent unquestionably, and a master of the knowledge of mankind, but degrading his talent by the affectation of coxcombry, and turning his knowledge into a system of polished profligacy.
Chesterfield, though not the first who had made a study of the art of nothings, was the first who publicly prided himself on its study; and while France owed her fashionable vice to a hundred sources, all England looked up to Chesterfield as the high priest of that shrine, in which time and reputation were equally sacrificed, and in which fame was to be acquired alone by folly.
Walpole's sketch was struck off when Chesterfield was sinking into the vale of years, and he exhibits that celebrated peer under the character, at once melancholy and ridiculous, of a superannuated politician and an old beau. Chesterfield, since he had given up the seals in 1748, had retired from politics; in that spirit of resignation, which, in extinguished politicians, is only a decent disguise for despair.
He had published what he called an apology for his resignation, which, as Walpole says, excited no more notice than the resignation itself. "From that time he had lived at White's, gaming, and pronouncing witticisms among the boys of quality." He then proceeds to examine the noble lord's construction, pretty much in the style of an anatomist with the subject on the table, and cuts him up with all the zeal of angry science.
"Chesterfield, early in life, announced his claim to wit, and the women believed in it. He had besides given himself out for a man of great intrigue, and the world believed in that too. It was not his fault if he had not wit, for nothing exceeded his efforts in that point. His speeches were fine, but as much laboured as his extempore sayings. His writings were every body's; that is, whatever came out good was given to him, and he was too humble ever to refuse the gift. But besides the passive enjoyment of all good productions in the present age, he had another art of reputation, which was, either to disapprove of the greatest authors of other times, or to patronize whatever was too bad to be ascribed to himself."
We then have a slight glance at his public life. His debut in diplomacy was as ambassador to Holland, where, as Walpole says, "he courted the good opinion of that economical people," by losing immense sums at play. On his return, he attached himself to Lord Townshend, an unlucky connexion; but what did him more harm still, was the queen's seeing him one Twelfth Night after winning a large sum of money at hazard, cross St. James's Court, "to deposit it with my Lady Suffolk until next morning." The queen never pardoned an intimacy there, and well she might not, Lady Suffolk's royal intimacies being perfectly notorious.
His next employment of note was the vice-royalty of Ireland; in which Walpole acknowledges that he was the most popular governor which that luckless country ever had. "Nothing was cried up but his integrity. He would have laughed at any man who had any confidence in his morality."