SPIRITS, GOBLINS, GHOSTS.
Dear Archy.—On what subject shall I next address you? Elves, goblins, ghosts, real and unreal; dreams, witchcraft, second-sight? Bless me! the field of marvels seems more thronged, as I approach it closer. The spirits I have evoked begin to scare me with their numbers. How on earth shall I ever get them fairly laid? But some, I see, can now only limp along—they are scotched already; I will begin with finishing these. Yet they deserve gentle treatment. They sprang from our nature, which seems expressly made to procreate and rear them. Thick, within and around us, lie the rich veins of illusive suggestion from which they spring.
The thing nearest us is our mental constitution, the world of consciousness. It is of it we first learn, though it be the last we understand. It is that through which we perceive and apprehend all other things; and nothing becomes part of our knowledge but as it has been shaped and coloured by its magic reflexion. Nay, more, it is not only our mirror but our archetype for every thing. So we spiritualise the material universe, and afterwards, by an incongruous consistency, anthropomorphise spirit.
Reason in vain reclaims against this misuse of analogy. Feeling, imagination, instinct are too many for her; and any mood, from fun to earnest, from nonsense to sublimity, may hear a responsive note when this chord is touched.
Address to that ingenuous young American a remark upon the slightness of the legs of her work-table,—she blushes—her lively fancy has given them personality. Were she a wealthier miss, she would give them, besides, neat cambric trowsers with lace borders. With less refinement, and with inexcusable warmth, I take shame to myself for having bestowed a kick upon a similar mahogany limb, which had, however, begun the contest by breaking my shin.
To the poet's eye, nature is instinct with life. Greece may be "living Greece no more"—in the soul of her people; but her immortal plains, and streams, and hills have their own vitality.
"The mountains look on Marathon,
And Marathon looks on the sea."
You go to visit them; they meet you half-way: "spectatum veniunt."
Amid the Alps—with glacier, torrent, forest around—you still evoke the fancied spirit of the scene, though it be but
"To gaze upon her beauty—nothing more."