[18] Memoirs of Viscountess Sundon. By Mrs Thompson. 2 Vols. Colburn.
ART IN THE EARLY CHRISTIAN AGES.[19]
From time immemorial the German universities have been regarded as the seats of patient, persevering, indefatigable, but also unprofitable, erudition. They have been the homes of men whose lives were one long day of toil—a continual course of labour, the sole reward of which was a secret consciousness of worth, and a fame, circumscribed it is true, yet still spreading wide amongst the elect of science in all civilised countries. Lost, not in the day-dreams of romance, but in the depths and amongst the mazes of science, it was but seldom that these men of the study and the library found leisure and nerve to escape from seclusion, and to take their share of the duties of active life in which their less reflective brethren were feverishly engaged. And when they attempted the competition, their failure was signal. They presented an extraordinary exhibition of awkward genius and blundering sagacity, and exposed themselves at once to the painful ridicule of those whose calling and pursuits taught them to prize mere worldly wisdom above all human lore.
Their country owes them a heavy debt of gratitude. Though little known, they ought never to be forgotten. They were unpopular, but they worked for the popularity of science. The results of their labours are not to be looked for in their own creations, but must rather be traced in the productions of their children's children. Generations to come will acknowledge them for their lawful progenitors, nor will future ages lose by confessing the obligations which they owe to so noble an ancestry. If our task to-day is comparatively easy, it is because the men of whom we speak never shrank from the difficulties attending theirs. We may smile at the childish simplicity of Neander, but we deeply venerate the profound erudition and the subtle discernment of that extraordinary critic's mind. We may feel shocked at the clownish sallies of a Blumenbach, the stinginess of Gesenius, and the rude manners of Ernesti. But with the first, we connect vast realms in natural philosophy unconquered before him; to the second, the student of Hebrew refers with reverential affection and gratitude; whilst we know, that the burly demeanour of the last could never hide the treasures of a Latin style, which, for purity and power, competes with that of Tully, and like that may well be compared to a precious sword, pure in metal, and as lasting as it is flexible and cutting.
The greater number of those to whom we refer have long since passed from the silence of their study to that of the grave. They have died as they lived—poor and honoured. Of them all, there is scarcely one whose departure was generally lamented; not one whose death was generally known. For the bulk of mankind, they never existed. Their works, unpalatable to the many, had always been the delight and instruction of the few. Yet, let not their unpopularity be quoted against them. They knew the extent of their mission. It was to collect and hoard bullion for future coinage and circulation. They prepared the path along which a whole nation was hereafter to travel. They were modest but meritorious labourers, who built a massive and powerful foundation, that another age might be left at ease to erect the brilliant superstructure.
That other age is here. The proud fane for which they cleared the way, and saw as the prophet of old beheld the Land of Promise, is rising now before us. In the author of the "History of the Fine Arts in the Early Ages of Christianity," we greet a worthy follower of those great masters whose works have somewhat rashly been pronounced more curious than useful. Professor Gottfried Kinkel is a true disciple and no imitator. He understands the period which has produced him. He knows its wants. General diffusion of knowledge is its distinguishing feature. Science leaves the closet to communicate her benefits to the forum. Neither the centralisation of wealth, nor that of knowledge, can now secure a nation against poverty and ignorance. People may starve, though the royal coffers are bursting with their weight of gold; they may be ignorant, though their chiefs luxuriate in the possession of unbounded knowledge. Rapid circulation of the currency has been found to constitute national wealth. A general diffusion of knowledge is the necessary condition of civilisation. Poesy is no longer content to dwell at court. Chemistry has chosen the path which Bacon pointed out to her; and whilst she has found a new field of action, has been enriched by treasures of knowledge hitherto concealed from her view. The sneering exclamation of Persius—
"Scire tuum nihil est, nisi te scire hoc sciat alter."
is the great truth and motto of this our century.
Even the universities of Germany have begun to popularise the results of their laborious researches; although it cannot be said that they have taken the lead of the age, we may at least affirm that they have gone along with it. They have not lingered in the rear. They have adapted their instruction and language to homely understandings, and have increased rather than lessened their dignity by the condescension. They have become more honoured and respected as the benefits of their labours have grown more palpable to common sight; they have been more renowned since the many have been permitted to appreciate the merits of the few. Instruction itself has been more courted and made more welcome since it took courage to cast aside its cumbrous wig and gown, and ventured to appear before the world with the natural graces of pure humanity.