In the "Celestial Railroad," we have a new Pilgrim's Progress performed by rail. Instead of the slow, solitary, pensive pilgrimage which John Bunyan describes, we travel in fashionable company, and in the most agreeable manner. A certain Mr Smooth-it-away has eclipsed the triumphs of Brunel. He has thrown a viaduct over the Slough of Despond; he has tunnelled the hill Difficulty, and raised an admirable causeway across the valley of Humiliation. The wicket gate, so inconveniently narrow, has been converted into a commodious station-house; and whereas it will be remembered there was a long standing feud in the time of Christian between one Prince Beelzebub and his adherents (famous for shooting deadly arrows) and the keeper of the wicket gate, this dispute, much to the credit of the worthy and enlightened directors, has been pacifically arranged on the principle of mutual compromise. The Prince's subjects are pretty numerously employed about the station-house. As to the fiery Apollyon, he was, as Mr Smooth-it-away observed, "The very man to manage the engine," and he has been made chief stoker.

"One great convenience of the new method of going on pilgrimage we must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, are all snugly deposited in the luggage-van." The company, too, is most distinguished and fashionable; the conversation liberal and polite, turning "upon the news of the day, topics of business, politics, or the lighter matters of amusement; while religion, though indubitably the main thing at heart, is thrown tastefully into the background." The train stops for refreshment at Vanity Fair. Indeed, the whole arrangements are admirable—up to a certain point. But it seems there are difficulties at the other terminus which the directors have not hitherto been able to overcome. On the whole, we are left with the persuasion that it is safer to go the old road, and in the old fashion, each one with his own burden upon his shoulders.

The story of "Roger Malvin's burial" is well told, and is the best of his narrative pieces. "The New Adam and Eve," and several others, might be mentioned for an agreeable vein of thought and play of fancy. In one of his papers the author has attempted a more common species of humour, and with some success. For variety's sake, we shall close our notice of him, and for the present, of "The American Library," with an extract from "Mrs Bullfrog."

Mr Bullfrog is an elegant and fastidious linen-draper, of feminine sensibility, and only too exquisite refinement. Such perfection of beauty and of delicacy did he require in the woman he should honour with the name of wife, that there was an awful chance of his obtaining no wife at all; when he happily fell in with the amiable and refined person, who in a very short time became Mrs Bullfrog.

An unlucky accident, an upset of the carriage on their wedding trip, giving rise to a strange display of masculine energy on the part of Mrs B. and disarranging her glossy black ringlets and pearly teeth, so as to occasion their disappearance and reappearance in a most miraculous manner, has excited a strange disquietude in the else happy bridegroom.

"'To divert my mind,' says Mr Bullfrog, who tells his own story, 'I took up the newspaper which had covered the little basket of refreshments, and which now lay at the bottom of the coach, blushing with a deep red stain, and emitting a potent spirituous fume, from the contents of the broken bottle of kalydor. The paper was two or three years old, but contained an article of several columns, in which I soon grew wonderfully interested. It was the report of a trial for breach of promise of marriage, giving the

testimony in full, with fervid extracts from both the gentleman's and lady's amatory correspondence. The deserted damsel had personally appeared in court, and had borne energetic evidence to her lover's perfidy, and the strength of her blighted affections. On the defendant's part, there had been an attempt, though insufficiently sustained, to blast the plaintiff's character, and a plea, in mitigation of damages, on account of her unamiable temper. A horrible idea was suggested by the lady's name.

"'Madam,' said I, holding the newspaper before Mrs Bullfrog's eyes—and though a small, delicate, and thin visaged man, I feel assured that I looked very terrific—'Madam,' repeated I, through my shut teeth, 'were you the plaintiff in this cause?'

"'Oh my dear Mr Bullfrog,' replied my wife sweetly, 'I thought all the world knew that!'

"'Horror! horror!' exclaimed I, sinking back on the seat.