"And where is your brother Antonio, Manuela?"
"My brother is—in the mountains. You seem good and kind, stranger; you tell me you are not a Frenchman, but a German. Oh! if you meet my brother in fight, do not kill him—spare him for my sake!"
"But, dear Manuela, how am I to know your brother? One Carlist is so like another."
"No, no! you are sure to know him: he resembles me, and he wears upon his breast a silver cross like mine. The same words are written upon it, and not a bullet has touched him since he has worn it."
"So, your brother is a soldier of Don Carlos, your sister dwells in a Carlist village, and your parents—at least your father, judging from his looks when I spoke of the Constitution,—also hold for the Pretender. Do you not fear Christino troops?"
"No, Señor—at least I should not, if they were all as good as you, who protected me from that rude Italian.—Dios!" she exclaimed, suddenly interrupting herself, and springing from her chair like a scared deer. From under the bench on the other side of the fire peered forth the dark countenance of a Piedmontese soldier, his checks flushed with wine, his eyes sparkling with a sullen fire, his ignoble, satyr-like features expressing a host of evil passions. He shot a venomous glance from under his dirty eyelashes, then turned himself round, grinding between his teeth an Italian malediction. He still lay where I had violently thrown him, when, upon our first entrance, I rescued Manuela from his brutality.
"To bed, girl!" screamed the old woman, who just then re-entered the kitchen. Manuela went to bed, and I composed myself to sleep upon the bench by the fire. It was eleven o'clock, and the silence in the village was unbroken save by the howling of the storm and the occasional challenge of a sentry.
IN THE MOUNTAINS.
The road from Pampeluna to France passes by a mountain of some size, whose real name I have forgotten, but which our soldiers called the Hill of Death, because, for a league around, it emitted an odour of unburied corpses. Close to the road, but at a considerable elevation, a conical peak springs from the hill-side.
Around this peak, upon a July night, about six months after the scene at Careta, lay a column of Carlists, awaiting the dawn. There they are, scattered about the fires, forlorn figures of unconquerable endurance, barefoot, in linen trousers and thin cloth jackets, the scarlet plate-shaped cap upon their heads. Burnt brown by the Castilian sun, their daring picturesque countenances assume an additional wildness of aspect in the red light of the watch-fires. From one of these, Fernando, a handsome Arragonese lad, whose father and brothers have been shot, and whose sister is a fille-de-joie at Saragossa, snatches a charcoal with his fingers, and places it upon a stone, to light his paper cigar. Then comes Hippolito, a pale emaciated boy of sixteen, and sets upon the fire a small pot of potatoes, which he has carried with him since morning. The Carlists caught him in Catalonia, and dragged him along with them, and often does he swear a peevish oath that his death will be in the hospital. Beside him lies Cyrillo, a desperate scapegrace from Estremadura, intended for the university, but whom restlessness and evil courses have brought under the banners. He has a piece of bacon on his bayonet, and toasts it at the flame. Hard by, a brace of Andalusians have got a guitar, and strike up a melody, so plaintive and yet so strangely spirit-stirring, that a bearded dragoon, slumbering upon his back, with his hands beneath his head, suddenly opens his great wild eyes. One of his comrades stands near him, his arms folded on his breast, gazing down wistfully into the valley of the Arga, now veiled by the mists of evening, and which he perhaps for many a long day has not dared to visit—as if the tones of the guitar brought melancholy to his mind. Suddenly the measure is changed, and the musician breaks into the lively fandango; a joyous Navarrese seizes the pensive trooper by the arm and whirls him round, but receives in return a push that sends him staggering against the guitar player, whilst he grasps at his girdle for the ready knife. An obscene curse burst from half-a-dozen throats; with fierce looks the two men confront each other, but are separated by force, and again the guitar tinkles in the night air, whilst Hippolito gathers up his potatoes, upset and scattered in the scuffle. A dirty priest comes up, a decoration upon his black coat, and enjoins order and peace. He has scarcely walked away, when a soldier in handsome uniform rushes up to the fire, and throws himself down, breathless and half fainting. He is a deserter from the Christino regiment of Cordova. They give him unlimited wine, and he tells them the latest news from the hostile camp. The bota passes from mouth to mouth; and whilst the deserter sleeps off his libations and fatigue, his new comrades cast lots for his good shirt and strong shoes.