"I suppose so,—what of that?"
"Why, it matters very little to either of us; and my question answers yours!"
I could not get on after this, and I never did get on a step farther. I must own that, if Vivian did not impart his confidence liberally, neither did he seek confidence inquisitively from me. He listened with interest if I spoke of Trevanion, (for I told him frankly of my connexion with that personage, though you may be sure that I said nothing of Fanny,) and of the brilliant world that my residence with one so distinguished opened to me. But if ever, in the fulness of my heart, I began to speak of my parents, of my home, he evinced either so impertinent an ennui, or assumed so chilling a sneer, that I usually hurried way from him, as well as the subject, in indignant disgust. Once especially, when I asked him to let me introduce him to my father—a point on which I was really anxious, for I thought it impossible but that the devil within him would be softened by that contact—he said with his low, scornful laugh—
"My dear Caxton, when I was a child, I was so bored with 'Telemachus,' that, in order to endure it, I turned it into travesty."
"Well."
"Are you not afraid that the same wicked disposition might make a caricature of your Ulysses?"
I did not see Mr Vivian for three days after that speech; and I should not have seen him then, only we met, by accident, under the Colonnade of the Opera-House. Vivian was leaning against one of the columns, and watching the long procession which swept to the only temple in vogue that Art has retained in the English Babel. Coaches and chariots, blazoned with arms and coronets—cabriolets (the brougham had not then replaced them) of sober hue, but exquisite appointment, with gigantic horses and pigmy "tigers," dashed on and rolled off before him. Fair women and gay dresses, stars and ribbons—the rank and the beauty of the patrician world—passed him by. And I could not resist the compassion with which this lonely, friendless, eager, discontented spirit inspired me—gazing on that gorgeous existence in which it fancied itself formed to shine, with the ardour of desire and the despair of exclusion. By one glimpse of that dark countenance, I read what was passing within the yet darker heart. The emotion might not be amiable, nor the thoughts wise, yet, were they unnatural? I had experienced something of them—not at the sight of gay-dressed people, of wealth and idleness, pleasure and fashion; but when, at the doors of parliament, men who have won noble names, and whose word had weight on the destinies of glorious England, brushed heedlessly by to their grand arena; or when, amidst the holiday crowd of ignoble pomp, I had heard the murmur of fame buzz and gather round some lordly labourer in art or letters. That contrast between glory so near, and yet so far, and one's own obscurity, of course I had felt it—who has not? Alas, many a youth not fated to be a Themistocles, will yet feel that the trophies of a Miltiades will not suffer him to sleep! So I went up to Vivian, and laid my hand on his shoulder.
"Ah!" said he, more gently than usual, "I am glad to see you—and to apologise—I offended you the other day. But you would not get very gracious answers from souls in purgatory, if you talked to them of the happiness of heaven. Never speak to me about homes and fathers! Enough, I see you forgive me. Why are you not going to the opera? You can!"
"And you too, if you so please. A ticket is shamefully dear, to be sure; still, if you are fond of music, it is a luxury you can afford."
"Oh, you flatter me if you fancy the prudence of saving withholds me! I did go the other night, but I shall not go again. Music!—when you go to the opera, is it for the music?"