Meanwhile the boat reached the jetty; the skipper landed; ascended the bank by a zigzag path with Snowball at his heels; passed without noticing us, as we stood among other lookers on; and walked up the passage. The Major followed him. Captain Gabion and I followed the Major.
Just as the skipper was emerging from the passage into the street, the Major stepped smartly after him, and tapped him on the shoulder, exclaiming, "Take that, you ruffian." That was a sharp application of the toe.
Like a caged lizard touched in the tail, the skipper sprang fiercely round.
"What's that for?" he cried, with a furious look.
"Ah, what's that for?" replied the Major, administering a stinging soufflet.
The skipper, calm in an instant, and savage in cold blood, commenced peeling. I stepped up to him, received his jacket, and handed it to the nigger, thereby installing myself in office. The Major turned up the cuffs of his coat-sleeves.
"Now, coolly, my man," said I, as the skipper went in like a mad bull.
The first three rounds, like the Three Graces, had a mutual resemblance. Superior to the Major in weight and strength—formidable, too, as a hitter—the skipper did not succeed in planting a single effective blow. Some were stopped, some were dodged, some fell short, and one or two hit short. Still worse for the skipper, he had no idea of guard. His antagonist, a first-rate artiste, went on gradually painting his portrait. At the end of the third round, "his mammy wouldn't a' knowed him." The Major, in striking, did not throw in his weight, merely hit from the shoulder and elbow. But his punishing told: he hit with a snap; he hit fast; he had the faculty of rapidly hitting twice with the same hand. In short, the skipper was evidently getting the worst of it. All this time, the Major continued perfectly cool and fresh; and, like Shelton, the navigator—whom I remember well, though you, perhaps, do not—as often as he stopped a hit, he politely inclined his head, as much as to say, "Well intended—try again." At the close of the third round, however, in consequence of the skipper's attempting a rush, the Major was constrained to put in a really hard blow as a stopper. It not only answered that purpose, but nearly lifted the skipper, and sent him reeling some paces backwards.
Instead of coming, as before, to my extended arms, and seating himself, like a good child, on my knee till time was up, the skipper now staggered towards Snowball, and began rummaging in his jacket. I was too quick for him. Just as he extracted an enormous clasp-knife, I whipped it out of his hand, and passed it to Captain Gabion. On this demonstration, supposing that "legitimate war" was at an end, and my "occupation gone," I was quietly walking away, with my hands in my pockets. But the Captain, having first communicated with the Major, met and stopped me, saying, "Come, we overlook that. The next round."
The fourth round presented no novelty. The painting went on; I may say, this time, was pretty well finished. Never was an ugly monkey more completely "beautified" than the poor skipper. He still had his strength and wind, and there was as yet no reason why he should not ultimately win—especially as he hit out like the kick of a horse, and one of his blows, if it told, might have turned the day. I began, however, to be apprehensive that he would soon be put hors de combat, by losing the use of his peepers. When, therefore, I sent him in the fifth time, I whispered, "You must try to close, or you'll have the worst of it."