Yet, if all creature-minds are necessarily imperfect, and therefore necessarily evil, it is difficult to understand in what the action of redemption can consist; or how any creature can be redeemed from evil, since evil belongs essentially to it, as a creature.
Though regretting what to us must seem the errors of Mr Bailey, we have no disposition to censure him very severely for any heterodox opinion he may have ventured to express. As times go, and as poets write, Mr Bailey is remarkable for the plenitude of his faith, and the piety of his verse. We would only, if it were possible, take from his hands certain edged tools which he is playing with too fantastically, and the due command of which he does not seem to have acquired. We would merely express our regret that views which have been dictated by, or are in accordance with, the highest sentiments and aspirations of the human mind, should not have been rendered more harmonious with themselves—more distinct, consistent, and intelligible.
We extricate ourselves as soon as possible from these thorny discussions, and turn from the philosophy, to some concluding remarks on the poetry, of Festus. And here we can now vary our task, and relieve our page, by selecting some of those brilliant fragments and admirable passages which, as we have said, abundantly prove the genius of Mr Bailey, and which make us regret that an imagination so bold and original has not been allied to a more disciplined intellect. Nor is it only in the more daring efforts of imagination that he displays his power; occasionally there are touches of true pathos; and from time to time a charming picture, the product of a playful and tender fancy, will flit past us in the dreary mist which too often hangs over the scene.
There is much beauty and passion scattered through the love passages of the drama. Clara says—
"I wish we had a little world to ourselves,
With none but we two in it.
Festus. And if God
Gave us a star, what could we do with it
But what we could without it? Wish it not!
Clara. I'll not wish then for stars: but I could love
Some peaceful spot, where we might dwell unknown,
Where home-born joys might nestle round our hearts
As swallows round our roofs, and blend their sweets
Like dewy tangled flowerets in one bed.
Festus. The sweetest joy, the wildest woe is love;
The taint of earth, the odour of the skies
Is in it. Would that I were aught but man!
The death of brutes, the immortality
Of fiend or angel, better seems than all
The doubtful prospects of our painted dust.
And all Morality can teach is—Bear!
And all Religion can inspire is—Hope!"
Then changing his mood, with a very natural versatility, Festus says—
"Here have I lain all day in this green nook,
Shaded by larch and hornbeam, ash and yew;
A living well and runnel at my feet,
And wild-flowers dancing to some delicate air;
An urn-topped column and its ivy wreath
Skirting my sight, as thus I lie and look
Upon the blue, unchanging, sacred skies:
And thou, too, gentle Clara, by my side,
With lightsome brow and beaming eye, and bright
Long glorious locks, which drop upon thy cheek
Like gold-hued cloud-flakes on the rosy morn.
Oh! when the heart is full of sweets to o'er-flowing,
And ringing to the music of its love,
Who but an angel or a hypocrite
Could speak or think of happier states?"
The name of the fair one changes—it is Helen instead of Clara that he now idolises; but the passion is the same—the intense love of beauty. There is a festival; he crowns Helen queen of the festive scene, with these gay and joyous lines:—
"Festus. Here—wear this wreath! no ruder crown
Should deck that dazzling brow.
I crown thee, love; I crown thee, love;
I crown thee Queen of me:
And oh! but I am a happy land,
And a loyal land to thee.
I crown thee, love; I crown thee, love;
Thou art Queen in thine own right!
Feel! my heart is as full as a town of joy;
Look! I've crowded mine eyes with light.
I crown thee, love; I crown thee, love;
Thou art Queen by right divine!
And thy love shall set neither night nor day
O'er this subject heart of mine.
I crown thee, love; I crown thee, love;
Thou art Queen by the right of the strong!
And thou did'st but win where thou might'st have slain,
Or have bounden in thraldom long.
I crown thee, love; I crown thee, love;
Queen of the brave and free;
For I'm brave to all beauty but thine, my love;
And free to all beauty by thee."
As this displays the bounding gaiety of love, so the following extract reveals some of the delirium of the passion:—