It was dinner-time. At this hour, it was customary for a dozen poor persons, old women and grayheaded men, to repair to the farm, where, for long years past, they had received a daily meal. As usual, they had made their appearance, and now stood aloof with sad and downcast looks. The housewife perceived them. This was to be her last sorrow in the home that had hitherto been hers. She stepped towards them. "I can no longer give you a dinner," she said; "another master is now here."
An old man limped forward, supported upon crutches. "To-day," he said, "we are here only to thank you, and to pray God that he may repay you what you, and your husband, and your children, and your fathers before you, upon this farm, have given to the poor. We have heard of the injustice done you; but the injustice of men is the blessing of heaven. Farewell, go in peace to your new home. And may the Lord bless you there and for ever."
He hobbled back amidst the group of beggars, who stood praying, with clasped hands. The housewife gave to every one of them an ample dole. "The Lord be with you also," she said. Then she went to the cart in which the children were already seated. Without another word, she got in. Her husband followed her, and his brother, who accompanied them, was the last. She took her little girl upon her lap, and drew down her kerchief far over her face, so that none could distinguish her features.
The cart drove slowly out of the farm-yard. It was met by a servant on horseback, who dashed past at a gallop, and handed to the Counsellor, Baron Von Eilenthal, a letter with a large seal. That distinguished functionary eagerly opened it, as with a foreboding of good news.
The judge looked inquisitively over his shoulder.
"Ah, my humblest congratulations, Herr President. Delighted to be the first to give you joy. I recommend myself to your further favour."
In front of the house, the beggars struck up in slow and solemn strains the hymn from the Psalm-book—
"Meine Seele, lass es gehen,
Wie in dieser Welt es geht.
Lass auch gerne das geschehen,
Was Dem Herz hier nicht versteht.
Arme Seele, fromm und stille,
Denk, es waltet Gottes Wille."
We have preserved, as dramatic and characteristic, the terminations of the two chapters from which we have extracted. The last was worth giving entire, being perhaps the most carefully finished in the book, but its length compelled compression. As regards its truthfulness, and the state of things it is intended to illustrate, we need hardly inform persons acquainted with the social and political condition of Germany, that acts of corruption and oppression, similar to those above set forth, have been of no rare occurrence, up to a very recent date, in more than one sovereign state of that extensive country. The time of the story of Anna Hammer is 1830, the period when things were probably at the worst, before the petty despots of Germany had been warned and alarmed by the second French revolution, and by other evidences of the growing spirit, throughout Europe, of resistance to tyrannical and irresponsible rule. The book hinges on the supposed existence of a secret association, having extensive ramifications, for the purpose of establishing constitutional government throughout Germany. Three of the earliest members of the society have lingered, at the date of the story's commencement, for five years in a state prison. These three men are Anna Hammer's brother-in-law, Madame Von Horberg's husband, and a certain Count Arnstein, whose son, after passing four years in the United States, returns to Germany, in the character of an American, and under the assumed name of Bushby, with the double purpose of assisting the plans of the conspirators, and of accomplishing his father's escape. The place of imprisonment of the three political offenders is, however, a mystery which one of the most active and intelligent of the confederates has for years been in vain endeavouring to solve. It is at last discovered by the ingenuity of Geigenfritz, an old soldier, and trusty agent of the society, who then contrives to introduce Anna Hammer into the fortress, in the capacity of servant girl to the commandant's housekeeper. The housekeeper, Miss Bluestone, who has lived in a military prison until she has acquired the tone, and much of the appearance, of a grenadier, and her comrade, Corporal Long, a veteran converted into a gaoler, who divides his affections between the wine barrel and a huge bunch of keys, are capitally hit off. The account of Von Horberg's dungeon, and of the means of communication he contrives with a prisoner lodged in the lower floor of the tower, in which he occupies an upper cell, is very well done. Indeed this, the first chapter of the second volume, entitled Dungeon Life, is one of the best of the book, and reminds us not a little of Baron Treuck's exciting prison narratives. It acquires additional interest from the circumstance that Anna Hammer is said to have been written in a prison, where the author was long confined on political charges, of which he was ultimately found guiltless. Before coming to the prisons, however, we are taken to court, and are introduced to the old prince-regnant, to his dissolute grandson and heir, and to his amiable granddaughter, who is in love with Arnstein alias Bushby. For a final extract, we select a scene in the grounds of the country residence of the sovereign, who has just installed himself there for the fine season, and where two important personages of the novel—the crown-prince and Geigenfritz—are first brought before the reader.