"And you!" I cried—"is there no part left for you?"
"Both those ladies would leave the theatre at once if I were allowed to speak one line."
"Then, my dear Miss Claribel," said my mother, greatly won by the simple openness of the visitor, "why do you remain on the stage, or rather not on the stage, but behind the scenes? You could surely find some other way of making your extraordinary talents of use."
"I draw a little in the intervals of study," she replied, "and compose a little music. I make quite enough for my own support; and, in short, there are reasons why I continue true to the stage."
"I have known you too short a time," replied my mother, "to ask you for your confidence; but I assure you I take a great interest in your success, and I hope you will always consider me a friend."
Miss Claribel took my mother's hand. "I won't try to thank you," she said; "for such kindness overcomes me. If you knew the loneliness of a poor actress's life, the solitude of the desolate room she goes back to after the glare of the lamps, the friendlessness she experiences in the very midst of the clapping of innumerable hands, you would know how doubly valuable to her heart is the kind sympathy of a lady in your position. You give me a new tie to existence in letting me feel assured of your goodwill, and I will come and see you whenever I feel my griefs too much for me to sustain alone."
Things had now got a great deal too sentimental for me to say a word about Hamlet. I believe both the ladies had utterly forgotten the existence of the Danish prince, and, for a while, the presence of his representative. There was a feeling of disappointment in my heart as I shook hands with Miss Claribel at the door. I did not acknowledge the reason of it even to myself; but I have no doubt now it arose from her neglect of my dramatic powers. Neglect is the most difficult to bear of all the ills that theatric flesh is heir to. My mother was delighted with her visitor. She felt sure there was a mystery about her; and she was determined to unravel it. In the mean time I determined to wait patiently for a week, as requested by Mr Montalban, and then go to the rehearsal of Hengist and Horsa.
CHAPTER VII.
That same evening the landlady brought me a polite message from Mr Catsbach, the occupant of the upper floor, and an invitation to visit him at eight o'clock. I was received with many apologies for the liberty he had taken—with many apologies also for not having taken it before—for he had long had a violent inclination to make my acquaintance—the more especially as he perceived, from my excellent touch on the flute, that I was as great a musical enthusiast as himself. I returned his compliment by declaring my gratification at catching the sounds of his violin; and ventured to hope that, now that we were acquainted, we might practise sometimes together.
"Dat vill most pleasant be," said Mr Catsbach; "and meantimes ve vill have die branty and wader." In a short time the table was replenished with bottles and glasses, the frost of non-acquaintance rapidly wore off, and I examined my companion more minutely than I had hitherto done. Though very much disguised, and, I thought, disfigured by the mass of whisker, beard, and moustache, in which he enveloped his countenance, I saw that his features were regular and handsome; and if he had told me he was count or baron, I should have believed him on the strength of his gentlemanly manners and appearance. However, he did not mention anything of the kind. In fact, he mentioned very little about himself at all; and I had the pleasing reflection on the following morning that I had concealed very few incidents of my own life, without getting the slightest return of confidence from him. My forthcoming triumph at the Stepney Star and my ambition to appear in Hamlet were not forgotten. I even went so far as to tell him I had discovered an Ophelia who would play up to me in very first-rate style, and that I thought of very soon astonishing the world with my debût. There are few educated foreigners now who do not understand and enjoy Shakspeare as much as the generality of Englishmen. Catsbach was quite at home in Hamlet, and, after the third tumbler of our brandy and water, gave a recitation of "To be or not to be," which was very effective to me, (who never drank so much before,) in spite of the foreign pronunciation. There were now two points of sympathy between us; and what music began, Shakspeare—not to mention the brandy—completed. We parted that night as if we had been friends for years, and he was to return my visit on the following night. All people are capable of being thawed, however thick the coat of ice may appear to be at first—only it takes longer to melt in some than in others. After my mother had retired—for our fellow lodger returned my visit without delay—when the second tumbler shone upon the table, and a small shining brass kettle on the hob was singing its accompaniment to our conversation, I began a few fishing questions as to his history and position, for I felt rather ashamed of my own openness on the previous evening.