This violent scene had exhausted Vassigny’s fortitude; the Count gone, he, sank into an arm-chair, covered his face with-his hands, and wept like a child.
Some weeks have elapsed and the characters of the tale are assembled at a theatre: Marsanne, his wife, and Kersent in a box—Movillez and D’Havrecourt in stalls—Mademoiselle Francine on the stage. Vassigny, in one of the proscenium boxes, has no eyes or ears but for the actress. He has kept his word to Marsanne, and Paris rings with the scandal of his attachment to Francine. She is the Chien d’Alcibiade. Strictly honourable in the observance of his promise, he has neither seen nor written to Madame de Marsanne since the day of his terrible interview with her husband. Such self-denial has not been exercised with impunity. In a few weeks, ten years have passed over the head of the unhappy Gaston de Vassigny. His brow is furrowed, his temper soured, and his amazed friends attribute these sad changes to his insane passion for the worthless Francine. He plays high; it is to supply the wants of his extravagant mistress. At the club, Marsanne is his usual antagonist, and always wins. Vassigny loses his temper with his money, and says harsh things to the Count, who bears them with exemplary patience, for the hour of his revenge is not yet come. But if Vassigny is supremely wretched, Amélie de Marsanne is not less so. She too, within a few weeks, has changed so as to be scarcely recognisable; and on her wan and pallid countenance the outward and visible signs of a breaking heart are unmistakably stamped. In vain has she striven to learn the reason of Vassigny’s sudden and unaccountable estrangement. He steadily avoids her. She sees him in public, ostentatiously displaying his disgraceful liaison with a low actress, constant in his attendance at her performances, galloping on the Champs Elysées beside the carriage he has given her. She catches the innuendos of his acquaintance, sneering at or pitying his infatuation. At the theatre, on the night in question, she is agonised by the malicious jests of little Movillez, who pitilessly ridicules Vassigny’s absurd and ignoble passion. Early the next morning Vassigny receives one of Kersent’s cards, with a request written upon it for an immediate visit. Supposing his friend to have had a quarrel, and to need his services, he hurries to his house. Kersent, who is soundly sleeping, abuses his visitor for arousing him, declares he has sent no message, and disavows the handwriting on the card. Just then the servant enters and announces the arrival of a veiled lady, who waits in an adjoining apartment to speak to the Viscount de Vassigny.
With pensive and care-laden brow, Gaston left his friend’s room, and entered that in which the lady waited. But on the threshold he paused, and a deep flush overspread his countenance. He beheld Madame de Marsanne.
It was indeed the Countess, who, in contempt of propriety, and half-crazed with suffering, had resolved to hear her sentence from Vassigny’s own lips. In vain she had written to him—her letters remained unanswered; in vain she had neglected no means of seeing him—her endeavours had invariably been fruitless. Her heart torn by such ingratitude, and by the scandalous passion Vassigny paraded for Mademoiselle Francine, she had not hesitated to seek an interview in the house of her husband’s cousin. In the sad conversation that ensued, the most touching appeal that tenderness and suffering could inspire was addressed by the Countess de Marsanne to Vassigny. But he was able to impose silence on the passion that devoured him.
Divided between his love and the respect due to his plighted word, the two most violent sentiments that find place in man’s bosom, Gaston’s heart bled cruelly; but he triumphed over himself. Words full of the coldest reason issued from his lips; he had sufficient strength to break for ever the tie that bound him to the Countess. These cruel words did not fail of their effect: Madame de Marsanne believed that she had honoured with her tenderness one unable to appreciate its value, and incapable of a generous sacrifice.
“‘M. de Vassigny’ she said, ‘you are a heartless man!’”
Such was the phrase that terminated this melancholy interview. The heart of Madame de Marsanne was broken, but a guilty love had for ever left it.
Some moments after the close of this scene, Vassigny re-entered Kersent’s chamber; but his face was livid, and he could scarcely drag himself along. Without a word, he sank upon a chair and remained plunged in the most gloomy despair. Kersent’s countenance, usually so joyous, had assumed an expression of anguish. He had examined the writing on the card, and he could not conceal from himself that he knew the hand. The scene at the theatre the previous evening came back to his memory: he remembered the strange melancholy of his cousin, her confusion when she returned him the card-ease she had asked to look at; and from all these things combined, he concluded that a fatal secret weighed upon two beings whom he cherished with equal tenderness. On beholding Vassigny’s profound consternation, the sportsman heaved a sigh of deep distress.
“‘My dear friend,’ he said to Gaston, ‘a misfortune threatens you: open your heart to me, I conjure you, in the name of our old friendship.’
“Vassigny made no reply.