AN UNPUBLISHED FRENCH NOVEL.
In the year 1843, a fancy fair was held at Paris, for the benefit of the sufferers by an earthquake in the island of Guadaloupe. The patronage of the Queen of the French, added to the strong sympathy awakened by the catastrophe, filled the bazaar with a gay throng, delighted to combine amusement with charity, and to chaffer for baubles with aristocratic saleswomen. Amidst the multitude of tasteful trifles, exposed for sale was a contribution from Queen Marie Amélie—fifty books, printed at the royal press and elegantly bound. They were fifty copies of a volume containing three charming tales, and soon it was whispered that no others had been printed, and that the author was a lady of rank, distinguished for grace and wit, but whose literary talents were previously unknown, save to a limited circle of discreet and admiring friends. At the queen's request, and at the voice of pity, pleading for the unfortunates of Point-à-Pitre, she had sanctioned the printing of fifty copies; these taken, the types had been broken up. Such rumours were more than sufficient to stimulate curiosity, and raise the value of the volume. Every body knows that an author's title often sells a stupid book; should any doubt it, we refer them to our friends Puff and Co.; how much greater the attraction when the book is a clever one, written by a countess, printed by a sovereign's command, and at a royal press. The market rose instantly. Sixty francs, eighty francs, five napoleons, were freely given; how much higher competition raised the price, we cannot say; but we are credibly informed the improvement did not stop there.
The editor of the Revue des Deux Mondes was not the last to hear the history of the volume. He procured a copy, and esteeming it unjust to reserve for a few what was meant for mankind, by limiting the produce of so graceful a pen to the narrow circulation of fifty copies—he laid violent hands upon one of the tales, and reprinted it in his excellent and widely-circulated periodical. Although literally a day after the fair, it was not the less acceptable and successful. The tale, whose title is "Resignation," was attributed by many to the amiable Duchess of Orleans, then in the first year of her widowhood. The real authoress is the Countess d'Arbouville, wife of the lieutenant-general of that name, granddaughter of Madame d'Houdetot, and niece by marriage of Monsieur de Barante. Inheriting much of the wit of her celebrated ancestress, and no small share of the literary aptitude of her accomplished uncle, this lady, without aiming at the reputation of a woman of letters, writes tales of very remarkable merit. Whilst her husband, as governor of Constantine, wields the sabre in defence of Algeria, the Countess, secluded in her boudoir, beguiles her leisure and delights her friends by the exercise of her pen. Last spring, it became known that she had completed the matter of a second volume. Thereupon, she was so besieged by petitioners for the favour of a perusal, that in self-defence, and out of regard to the integrity of her manuscript, she was compelled to print fifty copies for private circulation. Through the kindness of a Parisian friend one of these has reached us. It contains two tales. The first, "Le Medecin du Village," is a simple and touching story, highly attractive by its purity of style and exquisite feeling. The circumstances under which it was printed forbid criticism; otherwise we might cavil at its introduction as unartistical, and at one of the incidents—the restoration of an idiot boy of fifteen to unclouded reason—as unprecedented and out of nature. But one dwells not on these blemishes whilst reading the old doctor's affecting tale, which does equal honour to the heart and mind of the authoress. We would gladly place it before our readers in an English dress, but the indefatigable Monsieur Buloz, ever watchful of the interests of his review, has already pounced upon it. It had scarcely been printed, when he transferred it to the pages of the Revue des Deux Mondes. We are obliged, therefore, to content ourselves with the second tale, no way inferior to its fellow, but whose greater length compels us to abridge. This we would fain avoid, for even without such curtailment it is impossible to render in another language the full charm of the original, a charm residing in delicacy of style and touch rather than in description or incident. We will do our best, however, and should the attempt meet the eye and disapproval of Madame d'Arbouville, we wish it may stimulate her to print her next work by thousands instead of tens, that all conversant with the French tongue may have opportunities of reading and appreciating the productions of so pleasing a writer.
The tale in question is entitled—
UNE HISTOIRE HOLLANDAISE.
It was the hour of sunrise. Not the gorgeous sunrise of Spain or Italy, when the horizon's ruddy blaze suddenly revives all that breathes, when golden rays mingle with the deep azure of a southern sky, and nature bursts into vitality and vigour, as if light gave life. The sun rose upon the chilly shores of Holland. The clouds opened to give exit to a pale light, without heat or brilliancy. Nature passed insensibly from sleep to waking, but continued torpid when ceasing to slumber. No cry or joyous song, no flight of birds, or bleating of flocks, hail the advent of a new day. On the summit of the dykes, the reed-hedges bend before the breeze, and the sea-sand, whirled over the slight obstacle, falls upon the meadows, covering their verdure with a moving veil. A river, yellow with the slime of its banks, flows peaceably and patiently towards the expectant ocean. Seen from afar, its waters and its shore appear of one colour, resembling a sandy plain; save where a ray of light, breaking upon the surface, reveals by silvery flashes the passage of the stream. Ponderous boats descend it, drawn by teams of horses, whose large feet sink into the sand as they advance leisurely and without distress to the goal of their journey. Behind them strides a peasant, whip on shoulder; he hurries not his cattle, he looks neither at the stream that flows, nor the beasts that draw, nor the boat that follows; he plods steadily onwards, trusting to perseverance to attain his end.
Such is a corner of the picture presented to the traveller in Holland, the country charged, it would seem, more than any other, to enforce God's command to the waters, Thou shalt go no farther! This silent repose of creatures and things, this mild light, these neutral tints and vast motionless plains, are not without a certain poetry of their own. Wherever space and silence are united, poetry finds place; she loves all things more or less, whether smiling landscape or dreary desert; light of wing, a trifle will detain and support her—a blade of grass often suffices. And Holland, which Butler has called a large ship always at anchor, has its beauties for the thoughtful observer. Gradually one learns to admire this land at war with ocean and struggling daily for existence; those cities which compel the waters to flow at their ramparts' foot, to follow the given track, and abide in the allotted bed; then those days of revolt, when the waves would fain reconquer their independence, when they overflow and inundate, and destroy, and at last, constrained by the hand of man, subside and again obey.
As the sun rose, a small boat glided rapidly down the stream. It had a single occupant, a tall young man, lithe, skilful, and strong, who, although apparently in haste, kept near the shore, following the windings of the bank, and avoiding the centre of the current, which would have accelerated his progress. At that early hour the fields were deserted; the birds alone had risen earlier than the boatman, whose large hat of gray felt lay beside him, whilst his brown locks, tossed backward by the wind, disclosed regular features, a broad open forehead, and eyes somewhat thoughtful, like those of the men of the north. His costume denoted a student from a German university. One gathered from his extreme youth, that his life had hitherto passed on academic benches, and that it was still a new and lively pleasure to him to feel the freshness of morning bathe his brow, the breeze play with his hair, the stream bear along his bark. He hastened, for there are times when we count the hours ill; when we outstrip and tax them with delay. Then, if we cannot hurry the pace of time, we prefer at least to wait at the appointed spot. It calms impatience, and resembles a commencement of happiness.
When the skiff had rounded a promontory of the bank, its speed increased, as if the eye directing it had gained sight of the goal. At a short distance the landscape changed its character. A meadow sloped down to the stream, fringed by a thick hedge of willows, half uprooted and inclined over the water. The boat reached the shadow of the trees, and stopping there, rocked gently on the river, secured by a chain cast round a branch. The young man stood up and looked anxiously through the foliage; then he sang, in a low tone, the burthen of a ballad, a love-plaint, the national poetry of all countries. His voice, at first subdued, not to break too suddenly the surrounding silence, gradually rose as the song drew to a close. The clear mellow notes escaped from the bower of drooping leaves, and expired without echo or reply upon the surface of the pasture. Then he sat down and contemplated the peaceful picture presented to his view. The gray sky had that melancholy look so depressing to the joyless and hopeless; the cold dull water rolled noiselessly onward; to the left, the plain extended afar without variety of surface. A few windmills reared their gaunt arms, waiting for the wind; and the wind, too weak to stir them, passed on and left them motionless. To the right, at the extremity of the little meadow, stood a square house of red bricks and regular construction, isolated, silent, and melancholy. The thick greenish glass of the windows refused to reflect the sunbeams; the roof supported gilded vanes of fantastical form; the garden was laid out in formal parterres. A few tulips, drooping their heavy heads, and dahlias, propped with white sticks, were the sole flowers growing there, and these were hemmed in and stifled by hedges of box. Trees, stunted and shabby, and with dust-covered leaves, were cut into walls and into various eccentric shapes. At the corners of the formal alleys, whose complicated windings were limited to a narrow space, stood a few plaster figures. One of these alleys led to the willow-hedge. There nature resumed her rights; the willows grew free and unrestrained, stretching out from the land and drooping into the water; their inclined trunks forming flying-bridges, supported but at one end. The bank was high enough for a certain space to intervene between the stream and the horizontal stems. A few branches, longer than the rest, swept the surface of the river, and were kept in constant motion by its current.
Beneath this dome of verdure the boat was moored, and there the young man mused, gazing at the sky—melancholy as his heart—and at the stream, in its course uncertain as his destiny. A few willow leaves fluttered against his brow, one of his hands hung in the water, a gentle breeze stirred his hair; nameless flowerets, blooming in the shelter of the trees, gave out a faint perfume, detectible at intervals, at the wind's caprice. A bird, hidden in the foliage, piped an amorous note, and the student, cradled in his skiff, awaited his love. Ungrateful that he was! he called time a laggard, and bid him speed; he was insensible to the charm of the present hour. Ah! if he grows old, how well will he understand that fortune then lavished on him the richest treasures of life—hope and youth!