“Well, if I haven’t, pa, you’ll give me more money; for I wish to pay for it all, all myself.”
“So you shall, my love,” said Mr. Goodman, smiling. “But what kind of a monument is it to be?”
“A white marble cross, pa. Then I’ll often go and hang wreaths upon it—wreaths of beautiful flowers; for I never, never, never will forget Flywheel Bob.”
THE PONTIFICAL VESTMENTS OF EGYPT AND ISRAEL.
Much discussion has arisen among commentators and archæologists with regard to the sacred vestments of the Jewish high-priest and the Levites; and yet it does not appear to have hitherto occurred to them to refer to the only sources whence additional and authentic information respecting these vestments can be obtained—namely, the monuments of ancient Egypt.
Age after age have repeated attempts been made to remake the vestments of the Hebrew priesthood solely from the descriptions given in the Pentateuch; but hitherto the words of Moses have been subjected to the most discordant interpretations. In a book by the Abbé Ancessi, entitled Egypt and Moses,[46] the first part only of which has as yet appeared, we at last obtain a lucid idea of the Mosaical directions, the very vagueness of which testifies that the great Lawgiver is speaking of things already familiar to those whom he addresses. So much in this work is new, and so much is suggestive of what farther discoveries may bring to light, that we shall, with the kind permission of the learned author, make free use of it in the present notice.
At the very epoch to which chronologists are wont to refer the origin of the human race we find on the borders of the Nile an already powerful nation. Most of the peoples whose names were in after-times to be renowned in history were then tribes of mere barbarians, dwelling in the depths of forests, in caverns, or on the islets of the lakes, their weapons rude flint-headed axes and arrows, and their ornaments the teeth of the wild beasts they had slain in the chase, a few amber beads or rings
of cardium, threaded on tendons dried in the sun.
At this time the nobles of Egypt inhabited sumptuous palaces, wore necklaces of gold adorned with brilliant enamels, and hung from their girdles laminæ of bronze, damascened in gold with marvellous delicacy.[47] Already during a long period had the Egyptians depicted their annals, their symbolism, and their daily life and surroundings on the massive pages of stone which fill the museums of two of the greatest capitals of modern Europe, and on the rolls of linen and papyrus which enfold their mummies in the depth of those Eternal Abodes[48] whose sleep of ages has been disturbed by our unsparing hands. The bold chisel of the Egyptian sculptors carved from the hardest rock these statues of strange aspect, these grave and tranquil countenances of the sovereigns contemporary with Abraham or Moses, which, after long centuries, passed in their own unchanging and conservative clime, we find amongst us, under our own changeful skies, and amid the noise and unrepose of our modern existence.