Now, Moses is directed to place upon the forehead of Aaron a band of gold engraven with the name of the Most Holy.
He gives to the high-priest not only an ornament analogous to that worn by the Egyptian kings—that is to say, the chiefs of the priesthood and the representatives of the Deity—but he preserves also the same
symbolical idea which it had for the people of Egypt.
No created thing could either represent or even symbolize JEHOVAH; nothing but the most holy name itself could remind them of the uncreated Essence, who, being pure spirit, has no form. Hence the great importance of the name of Jehovah—or, more exactly, YAHVEH—in the history of Israel. The name of Him who dwelt in the most holy place, whose glory shone above the mercy-seat—this name alone, with the ascription of sanctity, was engraven on the golden fillet on the brow of his high-priest.[75]
“And the band shall be always upon his forehead, that the Lord may be well pleased with him.”
This idea of the abiding of God on the head of the pontiff-kings was one very familiar to the Egyptians, and has been expressed by them in a variety of ways. For example, we find the “divine Horus” forming with his wings a graceful ornament on the head-attire of some of the statues of the Pharaos, or again spreading his wings upon them to communicate the divine life.
The sign of the God of Israel was placed on the forehead of the high-priest, as if to overshadow him with his majesty, and to give
merit and value to his offerings; supplying what was lacking to the perfection of the sacrifice by enveloping him who offered it with his own glory.
Under the ephod was worn the long tunic, called in Hebrew Mehil, the most noticeable part of which is its fringe, composed of little bells of gold alternating with colored pomegranates. The description given by Moses (Exod. xxviii. 31, 34) is very simple: “And thou shalt make the tunic of the ephod all of violet; in the midst whereof above shall be a hole for the head, and a border round about it woven, as is wont to be made in the outmost part of garments, that it may not easily be broken. And beneath, at the feet of the same tunic, round about, thou shalt make as it were pomegranates, of violet, and purple, and scarlet twice-dyed, with little bells between: so that there shall be a golden bell and a pomegranate, and again a golden bell and a pomegranate.”
The Mehil was not only the counterpart of an Egyptian vestment worn by the Pharaos, and which we see represented with a broad hem round the neck, but we find upon it the same ornaments as those mentioned in Exodus—namely, acorns or tassels of colored threads alternating with pendants of gold.[76] There are in the Louvre some pomegranates of enamelled porcelain, furnished with a ring by which to hang, and which have evidently formed part of the border of a garment or a very large necklace. We find there blue, yellow, red, and white ones, of a shape that might have been run in the very mould of those which adorned the vestments of Aaron. Others, again, are made