coursers touched the goal, and the wreath and palm were decreed by acclamation to the hero who bore them away to die. The next morning it was feared that he might not survive ten days. He lived, however, about sixteen months longer, wandering in company with his wife and little daughter, from Eaux-Bonnes to Biarritz, from Biarritz to the Pyrenees, to Spain, and at last to Italy, then to Marseilles, where he closed his earthly life on the Feast of the Nativity of Our Lady, 1853, surrounded by his relatives and friends, and by his brothers of the Society of St. Vincent de Paul. His published works fill eleven volumes of considerable size, and for a just appreciation of their character and value we refer the reader to the twenty-fifth chapter of Miss O’Meara’s biography.

We have endeavored to excite rather than to allay the curiosity of our readers, by merely designating the salient points of a life which is crowded with a great variety of traits and incidents such as make up a subject worthy to be handled by a skilful artist in the painting of character. We have not by any means exhausted the material furnished by the intelligent and graceful narrator of Ozanam’s life, or even touched upon those personal and private details of his domestic history which lend so poetic a charm to the story of his public career. Those in whom we have awakened an interest for one who presents the living ideal of a perfect Catholic layman in an exalted sphere of action, will defraud themselves grievously if they fail to make themselves more fully acquainted with it by the perusal of his biography. The author, although she now appears for the first time under her own proper name,

is already known by her Life of Bishop Grant, published under the nom de plume of Grace Ramsay, and is a daughter of Dr. O’Meara, the author of Napoleon in Exile; or, a Voice from St. Helena. Her contributions to the pages of this magazine have been numerous and always considered as among the best of our literary articles. In the work we are reviewing she has done justice to the high estimate we had previously formed of her merit as a writer, and to her subject, the one most suited to call forth her power which she has thus far attempted. Besides a full knowledge of her subject; that ardent glow of admiration for the hero of her story which is so requisite, and is one of the special charms of portraits of noble men drawn by a feminine hand; and graphic power regulated by delicate and correct taste in delineation and description, the author has shown remarkable tact and good sense in respect to all those questions which have caused division and discussion between different Catholic parties in France. Without suppressing any part of the history of M. Ozanam and his period, or attempting to throw a veil over any of his opinions which involved him in the domestic controversies then existing, and not yet settled, respecting the relations of the Catholic cause and national politics, she has judiciously avoided taking the part of an advocate, and preserved the quiet, impartial attitude of a historian. We have occasionally noticed some evidences of haste, and neglect to put the last finishing touches upon the construction of sentences or the details of the narrative. We are also at a loss to understand the author’s motive for using certain French words, such as angoisse and découragement,

rather than the corresponding Englishman terms. For the incorrect title on the back of the cover, Life and Works of F. Ozanam, we suppose the publisher is accountable; for the author has entitled her own work very properly on the title-page, Frederic Ozanam, Professor at the Sorbonne: His Life and Works—a phrase whose meaning is essentially changed by the inversion of its parts, and made to convey the impression that the complete works of Ozanam are contained in one small volume, together with his life. Apart from this blemish, which can be easily corrected, the mechanical execution of the work is neat and tasteful. The Life of Ozanam is another gem added to our small cabinet of treasures by the skill and industry of a gifted, cultivated woman. We trust the success of Miss O’Meara’s first appearance under her own name will encourage her to new efforts, and stimulate other women similarly gifted to follow her example by laboring in a department of literature for which they are specially competent. The example of Frederic Ozanam, mirrored in her clear, impartial pages, presents its own native, intrinsic beauty and splendor as a model for pure, disinterested, high-souled Catholic young men who aspire towards an ideal of true intellectual and moral greatness which is elevated and at the same time attainable in the laical state and a secular profession. It is to be hoped that the publication of this Life will make the Catholic students of England and the United States generally acquainted both with Ozanam’s beautiful character and with his thoroughly erudite, yet classically elegant and attractive, works on the history and literature of the middle ages.

[148] Frederic Ozanam, Professor at the Sorbonne: His Life and Works. By Kathleen O’Meara. Edinburgh: Edmonston & Douglas. 1876.

[149] Lady Georgiana Fullerton.

[150] Lectures on Modern History. Bohn’s Ed. pp. 1-3.

[151] P. 200.