'Agreed,' said his visitor. 'I will pay you to-morrow, when I send for the picture.'
About an hour afterwards a letter was handed to the painter. Its contents were as follow: 'Master Rembrandt—During your absence a few days since, I saw in your studio a picture representing an old woman churning butter. I was enchanted with it; and if you will let me purchase it for 300 florins, I pray you to bring it to my house, and be my guest for the day.' The letter was signed with some fictitious name, and bore the address of a village several leagues distant from Amsterdam.
Tempted by the additional 100 florins, and caring little for breaking his engagement, Rembrandt set out early next morning with his picture. He walked for four hours without finding his obliging correspondent, and at length, worn out with fatigue, he returned home. He found the citizen in his studio, waiting for the picture. As Rembrandt, however, did not despair of finding the man of the 300 florins, and as a falsehood troubled but little his blunted conscience, he said: 'Alas! an accident has happened to the picture; the canvas was injured, and I felt so vexed that I threw it into the fire. Two hundred florins gone! However, it will be my loss, not yours, for I will paint another precisely similar, and it shall be ready for you by this time to-morrow.'
'I am sorry,' replied the amateur, 'but it was the picture you have burned which I wished to have; and as that is gone, I shall not trouble you to paint another.'
So he departed, and Rembrandt shortly afterwards received a second letter to the following effect: 'Master Rembrandt— You have broken your engagement, told a falsehood, wearied yourself to death, and lost the sale of your picture—all by listening to the dictates of avarice. Let this lesson be a warning to you in future.'
'So,' said the painter, looking round at his pupils, 'one of you must have played me this pretty trick. Well, well, I forgive it. You young varlets do not know the value of a florin as I know it.'
Sometimes the students nailed small copper coins on the floor, for the mischievous pleasure of seeing their master, who suffered much from rheumatism in the back, stoop with pain and difficulty, and try in vain to pick them up.
Rembrandt married an ignorant peasant who had served him as cook, thinking this a more economical alliance than one with a person of refined mind and habits. He and his wife usually dined on brown bread, salt herrings, and small beer. He occasionally took portraits at a high price, and in this way became acquainted with the Burgomaster Six, a man of enlarged mind and unblemished character, who yet continued faithfully attached to the avaricious painter. His friendship was sometimes put to a severe test by such occurrences as the following:—
Rembrandt remarked one day that the price of his engravings had fallen.
'You are insatiable,' said the burgomaster.